The Girl of the Period, and Other Social Essays, Vol. 1 (of 2) — John Shaqi
The Girl of the Period, and Other Social Essays, Vol. 1 (of 2)Linton, E. Lynn (Elizabeth Lynn)
General
The Girl of the Period, and Other Social Essays, Vol. 1 (of 2)
Linton, E. Lynn (Elizabeth Lynn)
Girls; Women
A great deal of other evil, beside these sly beginnings of deceit, is
taught in the nursery; a great deal of vulgar thought, of
superstitious fear, of class coarseness. As, indeed, how must it not
be when we think of the early habits and education of the women taken
into the nursery to give the first strong indelible impressions to the
young souls under their care? Many a man with a ruined constitution,
and many a woman with shattered nerves, can trace back the beginning
of their sorrow to those neglected childish days when nurse had it all
her own way because mamma never looked below the surface, and was
satisfied with what was said instead of seeing for herself what was
done. It is an odd state of society which tolerates this transfer of a
mother's holiest and most important duty into the hands of a mere
stranger, hired by the month, and never thoroughly known.
Where the organization of the family is of the patriarchal kind--old
retainers marrying and multiplying about the central home, and
carrying on a warm personal attachment from generation to
generation--this transfer of maternal care has not such bad effects;
but in our present way of life, without love or real relationship
between masters and servants, and where service is rendered for just
so much money down and for nothing more noble, it is a hideous system,
and one that makes the modern mother utterly inexplicable. We
wonder where her mere instincts can be, not to speak of her reason,
her love, her conscience, her pride. Pleasure and self-indulgence have
indeed gained tremendous power, in these later days, when they can
thus break down the force of the strongest law of nature--a law
stronger even than that of self-preservation.
Public-domain text, read in full here on John Shaqi.
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