The Girl of the Period, and Other Social Essays, Vol. 1 (of 2) — John Shaqi
The Girl of the Period, and Other Social Essays, Vol. 1 (of 2)Linton, E. Lynn (Elizabeth Lynn)
General
The Girl of the Period, and Other Social Essays, Vol. 1 (of 2)
Linton, E. Lynn (Elizabeth Lynn)
Girls; Women
That very much of this demand for more power of work comes from
necessity and the absolute need of bread, we know; and that the demand
will grow louder as marriage becomes scarcer, and there are more women
adrift in the world without the protection and help of men, we also
know. But this belongs to another part of the subject. What we want to
insist on now is the pitiable ignorance and shiftless indolence of
most middle-class housekeepers; and what we would urge on woman is the
value of a better system of life at home before laying claim to the
discharge of extra-domestic duties abroad.
_LITTLE WOMEN._
The conventional idea of a brave, energetic, or a supremely criminal,
woman has always been that of a tall, dark-haired, large-armed virago
who might pass as the younger brother of her husband, and about whom
nature seemed to have hesitated before determining whether to make her
a man or a woman:--a kind of debateable land, in fact, between the two
sexes, and almost as much the one as the other. Helen Macgregor, Lady
Macbeth, Catharine de Medici, Mrs. Manning, and the old-fashioned
murderesses in novels, were all of the muscular, black-brigand type,
with more or less of regal grace super-added according to
circumstances; and it would have been thought nothing but a puerile
fancy to have supposed the contrary of those whose personal
description was not already known. Crime, indeed, in art and fiction,
was generally painted in very nice proportion to the number of cubic
inches embodied and the depth of colour employed; though we are bound
to add that the public favour ran towards muscular heroines almost as
much as towards muscular murderesses, which to a certain extent
redressed the overweighted balance. Our later novelists, however, have
altered the whole setting of the palette. Instead of five foot ten of
black and brown, they have gone in for four foot nothing of pink and
yellow. Instead of tumbled masses of raven hair, they have shining
coils of purest gold. Instead of hollow caverns whence flash
unfathomable eyes eloquent of every damnable passion, they have limpid
lakes of heavenly blue; and their worst sinners are in all respects
fashioned as much after the outward semblance of the ideal saint as
they have skill to design.
Public-domain text, read in full here on John Shaqi.
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