The Girl of the Period, and Other Social Essays, Vol. 1 (of 2) — John Shaqi
The Girl of the Period, and Other Social Essays, Vol. 1 (of 2)Linton, E. Lynn (Elizabeth Lynn)
General
The Girl of the Period, and Other Social Essays, Vol. 1 (of 2)
Linton, E. Lynn (Elizabeth Lynn)
Girls; Women
But the little woman is irrepressible. Too fragile to come into
the fighting section of humanity--a puny creature whom one blow from a
man's huge fist could annihilate--absolutely fearless, and insolent
with the insolence which only those dare show who know that
retribution cannot follow--what can be done with her? She is afraid of
nothing and to be controlled by no one. Sheltered behind her weakness
as behind a triple shield of brass, the angriest man dare not touch
her, while she provokes him to a combat in which his hands are tied.
She gets her own way in everything and everywhere. At home and abroad
she is equally dominant and irrepressible, equally free from obedience
and from fear. Who breaks all the public order in sights and shows,
and, in spite of King, Kaiser, or Policeman X, goes where it is
expressly forbidden that she shall go? Not the large-boned, muscular
woman, whatever her temperament; unless, indeed, of the exceptionally
haughty type in distinctly inferior surroundings--and then she can
queen it royally enough and set everything at most lordly defiance.
But in general the large-boned woman obeys the orders given, because,
while near enough to man to be somewhat on a par with him, she is
still undeniably his inferior. She is too strong to shelter herself
behind her weakness, yet too weak to assert her strength and defy her
master on equal grounds. She is like a flying fish--not one thing
wholly; and while capable of the inconveniences of two lives is
incapable of the privileges of either. It is not she, for all her
well-developed frame and formidable looks, but the little woman, who
breaks the whole code of laws and defies all their defenders--the
pert, smart, pretty little woman, who laughs in your face and goes
straight ahead if you try to turn her to the right hand or to the
left, receiving your remonstrances with the most sublime indifference,
as if you were talking a foreign language she could not understand.
She carries everything before her, wherever she is. You may see her
stepping over barriers, slipping under ropes, penetrating to the green
benches with a red ticket, taking the best places on the platform over
the heads of their rightful owners, settling herself among the
reserved seats without an inch of pasteboard to float her. You cannot
turn her out by main force. British chivalry objects to the public
laying on of hands in the case of a woman, even when most recalcitrant
and disobedient; more particularly if she be a small and
fragile-looking woman. So that, if it be only a usurpation of places
specially masculine, she is allowed to retain what she has got, amid
the grave looks of the elders--not really displeased at the flutter of
her ribbons among them--and the titters and nudges of the young
fellows.
Public-domain text, read in full here on John Shaqi.
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