The Girl of the Period, and Other Social Essays, Vol. 1 (of 2)Linton, E. Lynn (Elizabeth Lynn)
General
The Girl of the Period, and Other Social Essays, Vol. 1 (of 2)
Linton, E. Lynn (Elizabeth Lynn)
Girls; Women
Still, it is impossible to write of one absolute womanly ideal--one
single type that shall satisfy every man's fancy; for, naturally, what
would be perfection to one is imperfection to another, according to
the special bent of the individual mind. Thus one man's ideal of
womanly perfection is in beauty, mere physical outside beauty; and not
all the virtues under heaven could warm him into love with red hair or
a snub nose. He is entirely happy if his wife be undeniably the
handsomest woman of his acquaintance, and holds himself blessed when
all men admire and all women envy. But he is blessed for his own
sake rather than for hers. Pleasant as her loveliness is to look on,
it is pleasanter to know that he is the possessor of it. The
'handsomest woman in the room' comes into the same category as the
finest picture or the most thoroughbred horse within his sphere; and
if the degree of pride in his possession be different, the kind is the
same. And so in minor proportions--from the most beautiful woman of
all, to simply beauty as a _sine quâ non_, whatever else may be
wanting. One other thing only is as absolute as this beauty, and that
is its undivided possession.
Another man's ideal is a good housekeeper and a careful mother; and he
does not care a rush whether his wife, if she is these, be pretty or
ugly. Provided she is active and industrious, minds the house well,
brings up the children as they ought to be brought up, has good
principles, is trustworthy and even-tempered, he is not particular as
to colour or form, and can even be brought to tolerate a limp or a
squint. Given the broad foundations of an honourable home, and he will
forego the lath and plaster of personal appearance which will not bear
the wear and tear of years and their troubles. The solid virtues
stand. His balance at the banker's is a fact; his good name and credit
with the tradespeople are facts; so is the comfort of his home; so are
the health, the morals, the education of his children. All these are
the true realities of life to him; but the beauty which changes to
deformity by small-pox, which fades under dyspepsia, grows stale
by habit, and is worn threadbare by the end of twenty years, is only a
skin-deep grace which he does not value. Perhaps he is right.
Certainly, some of the happiest marriages amongst one's acquaintances
are those where the wife has not one perceptible physical charm, and
where the whole force of her magnetic value lies in what she is, not
in how she looks.
Public-domain text, read in full here on John Shaqi.
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