We are in the humour to rehabilitate all things, and pinchbeck has now its turn with the rest. The lady of slender means who would refuse to wear imitation lace and false jewelry is as rare as the country society which would exclude the _nouveau riche_ because of his newness, and not adopt him because of his riches. The whole anxiety now is, not what a thing is, but how it looks--not its quality, but its appearance. Every part of social and domestic life is dedicated to the apotheosis of pinchbeck. It meets us at the hall-door, where miserable stuccoed pillars are supposed to confer a quasi-palatial dignity on a wretched jerry-built little villa run up without regard to one essential of home comfort or of architectural truth. It goes with us into the cold, conventional drawing-room, where all is for show and nothing for use, in which no one lives, and which is just the mere pretence of a dwelling-room, set out to deceive the world into the belief that its cheap finery is the expression of the every-day life and circumstances of the family. It sits with us at the table, which a confectioner out of a back street has furnished and where everything, down to the very flowers, is hired for the occasion. It glitters in the brooches and bracelets of the women, in the studs and signet-rings of the men. It is in the hired broughams, the hired waiters, the pigmy page-boys, the faded paper flowers, the cheap champagne, and the affectation of social consideration that meet us at every turn. The whole of the lower section of the middle-classes is penetrated through and through with the worship of pinchbeck; and for one family that holds itself in the honour and simplicity of truth, ten thousand lie, to the world and to themselves, in frippery and pretence.