The Girl of the Period, and Other Social Essays, Vol. 1 (of 2)Linton, E. Lynn (Elizabeth Lynn)
General
The Girl of the Period, and Other Social Essays, Vol. 1 (of 2)
Linton, E. Lynn (Elizabeth Lynn)
Girls; Women
Another bit of pinchbeck is the visiting-list--the cards of invitation
stuck against the drawing-room glass--with the grandest names and
largest fortunes put forward, irrespective of dates or tenses. The
chance contact with the people represented may be quite out of the
ordinary circumstances of life, but their names are paraded as if an
accident, which has happened once and may never occur again, were in
the daily order of events. They are brought to the front to make
others believe that the whole social substance is of the same quality;
that generals and admirals and lords and ladies are the common
elements of the special circle in which the family habitually moves;
that pinchbeck is good gold, and that 'composition' means marble.
Women are exceedingly tenacious of these pasteboard appearances. In a
house with its couple of female servants, where formal visitors are
very rare and invitations, save by friendly word of mouth, rarer
still, you may see a cracked china bowl or cheap mock _patera_ on the
hall table, to receive the cards which are assumed to come in the
thick showers usual with high people who have hall-porters and a
thousand names or more on their books. The pile gets horribly dusty to
be sure, and the upper layer turns by degrees from cream-colour to
brown; but antiquity is not held to weaken the force of grandeur. The
titled card left on a chance occasion more than a year ago still keeps
the uppermost place, still represents a perpetual renewal of
aristocratic visits and an unbroken succession of social triumphs.
Yellowed and soiled, it is none the less the trump-card of the list;
and while the outside world laughs and ridicules, the lady at home
thinks that no one sees through this puerile pretence, and that the
visiting-list is accepted according to the status of the fugleman at
the head. She is very happy if she can say that the pattern of her
dress, her cap, her bonnet, was taken from that of Lady So and So's;
and we may be quite sure that all personal contact with grand folks so
expresses itself and perpetuates the memory of the event, by such
imitation--at a distance. It is too good an occasion for the airing of
pinchbeck to be disregarded; consequently, for the most part it is
turned to this practical account. Whether the fashion be suited to the
material or to the other parts of the dress, is quite a secondary
consideration; it being of the essence of pinchbeck to despise both
fitness and harmony.
Public-domain text, read in full here on John Shaqi.
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