The Girl of the Period, and Other Social Essays, Vol. 2 (of 2)Linton, E. Lynn (Elizabeth Lynn)
General
The Girl of the Period, and Other Social Essays, Vol. 2 (of 2)
Linton, E. Lynn (Elizabeth Lynn)
Girls; Women
For her several brothers she has a range of entirely different
feelings. Her younger schoolboy brothers she regards as the torments
of her existence, whose unkempt hair, dirty boots and rude manners are
her special crosses, to be borne with patience, tempered by an active
endeavour after reform. But the more advanced, and those who are older
than herself, are her loves for whom she has an enthusiastic
admiration, and whose future she believes in as something specially
brilliant and successful. If only slightly older or younger than
herself, she impresses them powerfully with the sentiment of her
superiority, and patronizes them--kindly enough; but she makes them
feel the ineffable supremacy of her sex, and how that she by virtue of
her womanhood is a glorified creature beside them--an Ariel to their
Caliban.
Now too, she begins to speak to her mother on more equal terms; to
criticize her dress, and to make her understand that she considers her
old-fashioned and inclined to be dowdy. She ties her bonnet-strings
for her; arranges her cap; smartens up her old dress and compels her
to buy a new one; and, while considering her immeasurably ancient,
likes her to look nice, and thinks her in her own way beautiful.
Sometimes she opposes and quarrels with her, if the mother has less
tact than arbitrariness. But this is not her natural state; for one of
the characteristics of Sweet Seventeen is her love for her mother and
her need of better counsel and guidance; so that if she comes into
opposition with her it is only through extreme pain, and the bitter
teaching of tyranny and injustice. This is just the age indeed, when
the mother's influence is everything to a girl; and when a silly, an
unjust, or an unprincipled woman is the very ruin of her life. But
with a low or evil-natured mother we seldom see a Sweet Seventeen
worth the trouble of writing about: which shows at least one
thing--the importance of the womanly influence at such a time, and how
so much that we blame in our modern girls lies to the account of their
mothers.
Public-domain text, read in full here on John Shaqi.
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