The Girl of the Period, and Other Social Essays, Vol. 2 (of 2) — John Shaqi
The Girl of the Period, and Other Social Essays, Vol. 2 (of 2)Linton, E. Lynn (Elizabeth Lynn)
General
The Girl of the Period, and Other Social Essays, Vol. 2 (of 2)
Linton, E. Lynn (Elizabeth Lynn)
Girls; Women
But without being false or hypocritical, there are voices which puzzle
as well as disappoint us, because so entirely inharmonious with the
appearance of the speaker. For instance, there is that thin treble
squeak which we sometimes hear from the mouth of a well-grown portly
man, when we expected the fine rolling utterance which would have been
in unison with his outward seeming. And, on the other side of the
scale, where we looked for a shrill head-voice or a tender musical
cadence, we get that hoarse chest-voice with which young and pretty
girls sometimes startle us. This voice is in fact one of the
characteristics of the modern girl of a certain type; just as the
habitual use of slang is characteristic of her, or that peculiar
rounding of the elbows and turning out of the wrists--which gestures,
like the chest-voice, instinctively belong to men only and have to be
learned before they can be practised by women.
Nothing betrays feeling so much as the voice, save perhaps the eyes;
and these can be lowered, and so far their expression hidden. In
moments of emotion no skill can hide the fact of disturbed feeling by
the voice; though a strong will and the habit of self-control can
steady it when else it would be failing and tremulous. But not the
strongest will, nor the largest amount of self-control, can keep it
natural as well as steady. It is deadened, veiled, compressed, like a
wild creature tightly bound and unnaturally still. One feels that it
is done by an effort, and that if the strain were relaxed for a moment
the wild creature would burst loose in rage or despair--and that the
voice would break into the scream of passion or quiver down into the
falter of pathos. And this very effort is as eloquent as if there had
been no holding down at all, and the voice had been left to its own
impulse unchecked.
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