If a men's favourite begins her career unmarried, she most frequently remains unmarried to the end; fulfilling her mission of charming all and fixing none till she comes to the age when her sex has no mission at all. If she is married she has developed after the event; in her nonage having been a shy if observant wallflower, quietly watching the methods which later she has so ably applied, and taking lessons from the very girls who queened it over her with that insolent supremacy which, more than all else, she noted, envied and profited by. If she marries while a favourite and in the full swing of her triumphs, she probably gets pulled up by her husband (unless she is in India, or wherever else women are at a premium and mistresses of the situation), and subsides into the best and most domestic kind of 'brooding hen.' However that may be, marriage, which is the great transforming agent of a woman's character, seldom leaves her on the same lines as before; though sometimes of course the foolish virgin developes into the frisky matron, and the girl who begins life as a men's favourite ends it as a mature siren. There are two kinds of men's favourites--the bright women who amuse them and the sympathetic ones who love them. But these last are of a doubtful, what country people call 'chancy,' kind; women who show their feelings too openly, who fall in love too seriously, or perhaps unasked altogether, being more likely to irritate and repel than to charm. But the bright, animated women who know how to talk and do not preach; who say innocent things in an audacious way and audacious things in an innocent way; who are clever without pedantry; frank without impudence; quick to follow a lead when shown them; and who know the difference between badinage and earnestness, flirting and serious intentions--these are the women who are liked by men and whose social success in no wise depends on their beauty.