The Girl on the BoatWodehouse, P. G. (Pelham Grenville)
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The Girl on the Boat
Wodehouse, P. G. (Pelham Grenville)
Children of the rich -- Fiction; Golf stories; Humorous stories; Man-woman relationships -- Fiction
Nothing in the way of modern progress is more remarkable than the
manner in which the attitude of your lover has changed concerning
proposals of marriage. When Samuel Marlowe’s grandfather had convinced
himself, after about a year and a half of respectful aloofness, that
the emotion which he felt towards Samuel Marlowe’s grandmother-to-be
was love, the fashion of the period compelled him to approach the
matter in a roundabout way. First, he spent an evening or two singing
sentimental ballads, she accompanying him on the piano and the rest of
the family sitting on the side-lines to see that no rough stuff was
pulled. Having noted that she drooped her eyelashes and turned faintly
pink when he came to the “Thee—only thee!” bit, he felt a mild sense of
encouragement, strong enough to justify him in taking her sister aside
next day and asking if the object of his affections ever happened to
mention his name in the course of conversation. Further _pour-parlers_
having passed with her aunt, two more sisters, and her little brother,
he felt that the moment had arrived when he might send her a volume of
Shelley, with some of the passages marked in pencil. A few weeks later,
he interviewed her father and obtained his consent to the paying of his
addresses. And finally, after writing her a letter which began “Madam,
you will not have been insensible to the fact that for some time past
you have inspired in my bosom feelings deeper than those of ordinary
friendship....” he waylaid her in the rose-garden and brought the thing
off.
How different is the behaviour of the modern young man. His courtship
can hardly be called a courtship at all. His methods are those of Sir
W. S. Gilbert’s Alphonso.
“Alphonso, who for cool assurance all creation licks,
He up and said to Emily who has cheek enough for six:
‘Miss Emily, I love you. Will you marry? Say the word!’
And Emily said: ‘Certainly, Alphonso, like a bird!’”
Sam Marlowe was a warm supporter of the Alphonso method. He was a
bright young man and did not require a year to make up his mind that
Wilhelmina Bennett had been set apart by Fate from the beginning of
time to be his bride. He had known it from the moment he saw her on the
dock, and all the subsequent strolling, reading, talking,
soup-drinking, tea-drinking, and shuffle-board-playing which they had
done together had merely solidified his original impression. He loved
this girl with all the force of a fiery nature—the fiery nature of the
Marlowes was a by-word in Bruton Street, Berkeley Square—and something
seemed to whisper that she loved him. At any rate she wanted somebody
like Sir Galahad, and, without wishing to hurl bouquets at himself, he
could not see where she could possibly get anyone liker Sir Galahad
than himself. So, wind and weather permitting, Samuel Marlowe intended
to propose to Wilhelmina Bennett this very day.
He let down the trick basin which hung beneath the mirror and,
collecting his shaving materials, began to lather his face.
Public-domain text, read in full here on John Shaqi.
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