The Girl on the BoatWodehouse, P. G. (Pelham Grenville)
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The Girl on the Boat
Wodehouse, P. G. (Pelham Grenville)
Children of the rich -- Fiction; Golf stories; Humorous stories; Man-woman relationships -- Fiction
“My dear old man, you have many worthy qualities, but you must know
that you can’t sing. You can’t sing for nuts! I don’t want to
discourage you, but, long ago as it is, you can’t have forgotten what
an ass you made of yourself at that house-supper at school. Seeing you
up against it like this, I regret that I threw a lump of butter at you
on that occasion, though at the time it seemed the only course to
pursue.”
Sam started.
“Was it you who threw that bit of butter?”
“It was.”
“I wish I’d known! You silly chump, you ruined my collar.”
“Ah, well, it’s seven years ago. You would have had to send it to the
wash anyhow by this time. But don’t let us brood on the past. Let us
put our heads together and think how we can get you out of this
terrible situation.”
“I don’t want to get out of it. I confidently expect to be the hit of
the evening.”
“The hit of the evening! You! Singing!”
“I’m not going to sing. I’m going to do that imitation of Frank Tinney
which I did at the Trinity smoker. You haven’t forgotten that? You were
at the piano taking the part of the conductor of the orchestra. What a
riot I was—we were! I say, Eustace, old man, I suppose you don’t feel
well enough to come up now and take your old part? You could do it
without a rehearsal. You remember how it went.... ‘Hullo, Ernest!’
‘Hullo, Frank!’ Why not come along?”
“The only piano I will ever sit at will be one firmly fixed on a floor
that does not heave and wobble under me.”
“Nonsense! The boat’s as steady as a rock now. The sea’s like a
mill-pond.”
“Nevertheless, thanking you for your suggestion, no!”
“Oh, well, then I shall have to get on as best I can with that fellow
Mortimer. We’ve been rehearsing all the afternoon, and he seems to have
the hang of the thing. But he won’t be really right. He has no pep, no
vim. Still, if you won’t ... well, I think I’ll be getting along to his
state-room. I told him I would look in for a last rehearsal.”
The door closed behind Sam, and Eustace Hignett, lying on his back,
gave himself up to melancholy meditation. He was deeply disturbed by
his cousin’s sad story. He knew what it meant being engaged to
Wilhelmina Bennett. It was like being taken aloft in a balloon and
dropped with a thud on the rocks.
His reflections were broken by the abrupt opening of the door. Sam
rushed in. Eustace peered anxiously out of his berth. There was too
much burnt cork on his cousin’s face to allow of any real registering
of emotion, but he could tell from his manner that all was not well.
“What’s the matter?”
Sam sank down on the lounge.
“The bounder has quit!”
“The bounder? What bounder?”
“There is only one! Bream Mortimer, curse him! There may be others whom
thoughtless critics rank as bounders, but he is the only man really
deserving of the title. He refuses to appear! He has walked out on the
act! He has left me flat! I went into his state-room just now, as
arranged, and the man was lying on his bunk, groaning.”
Public-domain text, read in full here on John Shaqi.
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