The trade in feathers amounts to many millions of pounds annually, and the supply of the birds furnishing them is decreasing so rapidly, that it was essential that substitutes should be found; and the American inventor has proved himself equal to the occasion. The supply of ostrich feathers from California is so ample that it has brought the price of feathers down to a reasonable figure, but still not low enough for the low prices that are asked for them. So there are plenty of good ostrich feathers manufactured of celluloid, of which the quills are made, while the barbs are of silk waste. These are so skilfully dyed and curled that only an expert could distinguish them. Other expensive feathers and plumes are made out of silk and cotton waste; and enormous quantities of poultry feathers are utilised, and are so exquisitely dyed and painted that these imitation plumes are more in demand than the real ones of the wild birds. A remarkable machine has been invented, and is in use for plucking the feathers from the dead poultry, which strips them of their feathers in just half a minute. Then the plucked feathers are passed rapidly along to another small room, where a current of air sorts the very fine from the heavy ones; and the very lightest and softest are used for pillows; but all the others find some use in the millinery trade. This state of things has made poultry quite wonderfully profitable. [Illustration: TWO SPRING GOWNS.] The first things I must mention are the white muslin, and white and cream washing silk blouses, which seem to be quite as fashionable this year as they were at any time during the last two years. They are made this year chiefly with a very small bishop’s sleeve and a tiny cuff. Tucks with lace insertion between them seem to be the style, when some form of yoke is not chosen. This last way of making both dress bodices and blouses is very evident in all the new models. The shape is narrow and long, extending over the shoulders, and tucks are the most popular decoration. Lace insertion is also seen on cambric and cotton shirts, and I notice that vertical stripes are much used for all the cambric ones. The muslin blouses have a fitted under-bodice of muslin, or _batiste_ in colour, to wear underneath; and the skirt should be of cashmere, to match this in colour. The neck and waist-band may be of moire, or of satin, either to match the skirt, or in white. The latter, however, is said to make the waist look large. In a sense, blouses are not as fashionable as they were, for they are no longer seen in the evening as they were. A pretty evening gown, with the bodice and skirt alike, is more distinctly in the last mode.