The Girl's Own Paper, Vol. XX. No. 1012, May 20, 1899 — John Shaqi
The Girl's Own Paper, Vol. XX. No. 1012, May 20, 1899Various
General
The Girl's Own Paper, Vol. XX. No. 1012, May 20, 1899
Various
Children's literature -- Periodicals
Attention is always paid to the colouring of this work. The foundation
material is heavy cream-coloured, or rather dark ivory moire, shot with
gold, and on this all the outlines of the pattern are followed with
gilt tinsel varying from a fine cord to the most delicate passing.
The main portions of the pattern are further emphasised within this
boundary, with fine silk chenille of several shades of dull olive green
sewn down with invisible stitches of filoselle or horse-tail. French
knots in tinsel (passing) and in shades of green embroidery silk are
employed as fillings, the silks being carefully chosen to assort with
the tints of the chenilles. All the scroll-work is worked with the
passing, the leaves being outlined with the green silks.
The subject chosen for illustration here is a cover for a blotter,
which being raised displays the pad, while at the back of the
embroidery, which is stiffened with stout cardboard, are pockets of
pink and grey-green silk to hold letters, or paper and envelopes. The
work is finally finished off with a border of dull gold cord.
Similar designs appear on various other articles. Blotters and
book-covers form an appropriate background, and so also do small
caskets with slightly domed tops.
The reticule at Fig. 4 is made on quite a different principle
throughout. The front and back are formed of shield-shaped panels of
wood or strong card, covered with chenille embroidery and with brocade
respectively. The front section only concerns us here. The fabric
chosen is dark blue velvet, and on this is worked in tones of brighter
blue a very conventional flower. Long and short stitch is used for the
shading, the stitches being made, of course, with a large-eyed needle
threaded with chenille. The colouring is darkest in the centre, round a
pink circle, from which start three “stamens” of brown chenille edged
with fine tinsel. Some of the same Japanese tinsel is used for veining
the flower, and a few gilt sequins are introduced to give a little
additional brightness. The stem is of green chenille.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account