The Girl's Own Paper, Vol. XX, No. 987, November 26, 1898 — John Shaqi
The Girl's Own Paper, Vol. XX, No. 987, November 26, 1898Various
General
The Girl's Own Paper, Vol. XX, No. 987, November 26, 1898
Various
Children's literature -- Periodicals
I spoke in my last chat on clothes, and dress in general, of the change
that has taken place in the dressing of the hair, and that it is worn
much lower; in fact, in a coil that lies on the nape of the neck, the
rest of the hair is waved in large waves, which lie regularly over
the top of the head, and across it from ear to ear, while the front
locks are curled over the forehead. The chief difficulty presented
by this new departure is in finding a hat or bonnet to go with it;
for all the French bonnets are made to go with the high rolled
_coiffure_ universally worn on the Continent, but never very becoming
to Englishwomen, who have good heads of hair and find a difficulty in
producing the tiny knot of hair, which is the essential part of the
high hair-dressing. The low knot is shown in our picture of the two
figures representing the new winter gowns, and called "A Princess dress
of brown cloth." These two gowns show exactly the prevailing styles of
the winter.
I daresay you will have already seen, though perhaps not quite
realised, the change, that dresses are now worn with bodices of the
same material, and the sketch in question displays this alteration in
style. The seated figure wears a Princess dress of brown cloth, with
revers of cream-coloured satin, one of which overlaps the other so far
as to close the gown on the side of the front, and the band of cream
satin is continued across the front and terminates in a scroll. The
satin has a scroll pattern braided on it with brown silk braid, and the
cuffs are decorated in the same manner. To those who contemplate having
a Princess gown, I would say, be careful to choose a good tailor or
dressmaker, and a firm material of which to make your dress, in order
to avoid dissatisfaction with your gown.
The second gown is of green face-cloth. The bodice and sleeves are
tucked with small horizontal tucks all over them. The skirt is one of
the new ones, and is in three tiers, cut away from the front, and each
is edged with a small band of chinchilla fur.
[Illustration: LONG BASQUED COAT AND EMBROIDERED JACKET.]
The second sketch shows a sac jacket of smooth blue serge, with a skirt
to match. The jacket is beautifully braided and embroidered in black,
both in front and on the shoulders. The hat is of blue felt, trimmed
with blue velvet and feathers. The second figure wears a long basqued
coat with a fur collar, and wide revers in front which taper down to
the waist, and end in two tails. The cuffs are turned back in the new
shape, and the collar is high and closes in front. The skirt worn is
plain, and is cut in the umbrella style. The hat is a small velvet one,
with fur trimmings and white or cream lace. The mixture of lace and
fur indeed with all our winter trimmings this year is very remarkable,
and contributes to the very light effect of all the millinery worn.
[Illustration: CAPE AND MUFF OF CHINCHILLA AND GREEN SILK.]
Public-domain text, read in full here on John Shaqi.
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