The Girl's Own Paper, Vol. XX, No. 990, December 17, 1898 — John Shaqi
The Girl's Own Paper, Vol. XX, No. 990, December 17, 1898Various
General
The Girl's Own Paper, Vol. XX, No. 990, December 17, 1898
Various
Children's literature -- Periodicals
"'In sooth, I know not why I am so sad,'" quoth the wearer of the
feathers, scowling darkly at the frivolous prattler who straightway hid
her head behind her book, and read Salanio's first speech in a tone of
meek apology.
There was a good deal of confusion about the first scene, for four
people had to read the parts of six, and one of the number was so much
occupied with gazing at the costumes of the actors that she invariably
lost her place, and had to be called to order by significant coughs and
glances. By this time it generally happened that the Vicar had made up
his mind to come to the rescue, and both husband and wife would begin
to read at the same moment, to their own amusement, and to the disgust
of the two lads, who felt uncomfortable in their borrowed plumes,
and keenly sensitive about their precious dignity. Antonio mumbled
his last speech in undignified haste, and followed Bassanio out of
the room prepared to echo his statement that this sort of thing was
"tom-foolery," and that he wasn't going to make an idiot of himself
any longer to please Peggy Saville, or any other girl in the world.
But the words died on his lips, for outside, in the hall, stood Peggy
herself, or rather Portia, and such a Portia as made him fairly blink
with amazement! Amidst the bustle of the last few days Portia's own
costume had been kept a secret, so that the details came as a surprise
to the other members of the party. Nerissa stood by her side, clad in a
flowing costume, the component parts of which included a dressing-gown,
an antimacassar, and a flowered chintz curtain; but despite the nature
of the materials, the colouring was charming, and frizzled hair,
flushed cheeks, and sparkling eyes, transformed the sober Esther into
a very personable attendant on the lady of Belmont. There was nothing
of the dressing-gown character about Portia's own attire, however. Its
magnificence took away the breath of the beholders. The little witch
had combed her hair to the top of her head, and arranged it in a high
coil, which gave height and dignity to her figure. A string of pearls
was twisted in and out among the dark tresses; her white silk frock
was mysteriously lengthened and ornamented by two large diamond-shaped
pieces of satin encrusted with gold, one placed at the bottom of the
skirt, and the other hanging loosely from the square-cut neck of the
bodice. Long yellow silk sleeves fell over the bare arms and reached
the ground; and from the shoulders hung a train of golden-hued plush,
lined with a paler shade of yellow. Bassanio and Gratiano stood aghast,
and Portia simpered at them sweetly in the intervals between dispensing
stage directions to the boot boy, who was clad in his best suit for the
occasion, and sent to and fro to change the arrangement of the scenery.
He wheeled the sofa into the centre of the room, piled it up with blue
cushions, and retired to make way for the two ladies, who were already
edging in at the door.
Public-domain text, read in full here on John Shaqi.
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