The Girl Who Had NothingWilliamson, A. M. (Alice Muriel)
General
The Girl Who Had Nothing
Williamson, A. M. (Alice Muriel)
England -- Social life and customs -- Fiction; Man-woman relationships -- Fiction; Young women -- Fiction
Joan went straight from Cornwall to London and the Bloomsbury
boarding-house in which some of her curiously earned money was invested.
All was to begin over again now; but to the girl this idea brought
inspiration rather than discouragement, for the world was still her
oyster, if she could open it, and experience had already taught her some
dexterity in the use of the knife. At this house in Woburn Place she
had the right to live without paying, while she "looked round," and Miss
Witt, who owed her present position to Joan, was only too delighted to
welcome her benefactress.
The place was doing well, and the corner of difficulty had been turned;
this was the news the manager-housekeeper had to give Joan. Every room
but one was full, and so far the boarders seemed to be "good pay," with
perhaps a single exception.
"There’s only the little top floor back that’s empty," cheerfully went
on Miss Witt. "Of course, I will take that and give you mine."
"You’ll do nothing of the sort, my dear woman," said Joan. "I like
running up and down stairs. It does me good. Besides, I’d rather be at
the back. There’s a tree, or something that once tried hard to be a
tree, to look at, as I know well, for the room used to be mine; so
there’s no use talking any more about that matter--it’s settled. You
stay where you are, and I will rise, like cream, to the top. Now tell
me about this doubtful person you are afraid won’t pay. Is it a man or
a woman?"
"A woman," replied Miss Witt, "and one of the strangest beings I ever
saw. It is a great comfort to me that you are here, miss, for you can
decide what is to be done about her. She hasn’t paid her board for a
fortnight, but she keeps pleading that as soon as she is well, and can
go out, she will get remittances which have been delayed."
"Oh, she is ill, then?"
"So she says. But I’m not sure, miss, it isn’t just an excuse to work
upon my compassion, for why should she have to go out for remittances?
She stops in her room, lying upon a sofa, and makes a deal of bother
with her meals being carried up so many pairs of stairs, though it’s
hardly worth while her having them at all, she eats so little. Yet she
doesn’t look a bit different from what she did when she was supposed to
be well and going about as much like anybody else as one of her sort
could _ever_ do."
"What do you mean?" asked Joan, whose curiosity was fired.
"Only that she is, and was, more a ghost than a human being, with her
great, hollow, black eyes, like burning coals, set deep under her thick
eyebrows and overhanging forehead; with her thin cheeks--why, miss, they
almost meet in the middle--her yellow-white skin, her tall, gliding
figure and stealthy way of walking, so that you never hear a sound till
she’s at your back."
"Queer kind of boarder," commented Joan.
Public-domain text, read in full here on John Shaqi.
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