Her mother looked at her. Charlotte raised her own tear-drenched face that was so mutely miserable, so stricken, so dumbly questioning. Marred as it was, and grief-ravaged, Mrs. Thrift seemed still to find there something that relieved her. She said more gently, perhaps, than in any previous questioning: "Why did you do it, Charlotte?" "I couldn't help it. I couldn't help it." Isaac Thrift snorted impatiently. Hetty Thrift compressed her lips a little and sighed. "Yes, but why did you do it, Charlotte? Why? You have been brought up so carefully. How could you do it?" Now, the answer that lay ready in Charlotte's mind was one that could have explained everything. And yet it would have explained nothing; at least nothing to Hetty and Isaac Thrift. The natural reply on Charlotte's tongue was simply, "Because I love him." But the Thrifts did not speak of love. It was not a ladylike word. There were certain words which delicacy forbade. "Love" was one of them. From the manner in which they shunned it--shrank from the very mention of it--you might almost have thought it an obscenity. Mrs. Thrift put a final question. She had to. "Had you ever kissed him before?" "Oh, no!" cried Charlotte so earnestly that they could not but believe. Then, quiveringly, as one bereaved, cheated, "Oh, no! No! Never! Not once.... Not once." The glance that Mrs. Thrift shot at her husband then was a mingling of triumph and relief. Isaac Thrift and his wife did not mean to be hard and cruel. They had sprung from stern stock. Theirs was the narrow middle-class outlook of members of a small respectable community. According to the standards of that community Charlotte Thrift had done an outrageous thing. War, in that day, was a grimmer, though less bloody and wholesale, business than it is to-day. An army whose marching song is Where Do We Go From Here? attaches small significance to the passing kiss of an hysterical flapper, whether the object of the kiss be buck private or general. But an army that finds vocal expression in The Battle Cry of Freedom and John Brown's Body is likely to take its bussing seriously. The publicly kissed soldier on his way to battle was the publicly proclaimed property of the kissee. And there in front of the Court House steps, in full sight of her world--the Addison Canes, the Thomas Holcombs, the Lewis Fullers, the Clapps--Charlotte Thrift, daughter of Isaac Thrift, had run after, had thrown her arms about, and had kissed a young man so obscure, so undesirable, so altogether an unfitting object for a gently-bred maiden's kisses (public or private) as to render valueless her kisses in future.