The Girls' Book of Famous QueensFarmer, Lydia Hoyt
History
The Girls' Book of Famous Queens
Farmer, Lydia Hoyt
Queens -- Biography -- Juvenile literature
Respect for royalty was on the wane. The king, of course, had shared
with the queen in the disrespect which Mesdames, his aunts, were
desirous should rest on her alone; and the insulting conduct towards
him of his brothers, Monsieur le Comte de Provence and the libertine,
the Comte d’Artois, who, according to an eye-witness, “on occasions
of great state or solemnity, will pass before the king twenty times,
push him aside, tread on his feet, and this, apparently, without any
thought of apology or excuse,” together with the affair of the Diamond
Necklace, were well calculated to debase him further in the eyes of his
courtiers and in public opinion. Nowhere was this more evident than
when the court assembled in the Grand Gallery of Versailles, where once
the _Grand Monarque_ held his _réunions_ called “_Appartements_.” At
such times, “a stranger would have found it difficult to recognize the
king by any particular attention or any deference paid to him.” What,
then, must have been the agonized sensations of the perturbed spirit
of the superb _Louis Quatorze_, if ever, to look on his degenerate
posterity, he revisited the scene of his former greatness and
grandeur, where once he sat enthroned like Jupiter among the inferior
gods, and where all around him were but too willing to fall down in
the dust at his royal feet, had it been his “_bon plaisir_” that they
should do so! Ah, those were palmy days for church and state!
Brightly dawned the 5th of May, 1789, and Versailles, with its
tapestries, its garlands, and its throngs of gayly dressed visitors,
wore a festive, smiling air. To many it was indeed a joyous day,—a
day of hope; for the king had granted the States General. Such an
assemblage France had not witnessed for more than a hundred and fifty
years. No wonder, then, it was looked forward to as the dawn of
national liberty. But as the procession winds its way along the vast
streets of Versailles, the people see, with pain, how marked are the
distinctions of rank and costume which divide _their_ representatives
from the nobles and the clergy. To the episcopal purple, the croziers,
and grand mantles of the dignitaries of the church succeed the long
black robes of the “inferior clergy.” Then in all the splendor of
velvet and cloth of gold, lace ruffles and cravats, floating plumes and
mantles of state, come the _haute noblesse_. Then follow the modest
Third Estate of the realm; the absence of finery in their humble garb
is atoned for in the eyes of the populace who receive them with hearty
cheers, which they have refused the nobles who have preceded them. One
only is generally known. It is the “plebian count” de Mirabeau. The
_cortège_ of the princes, who are surrounded by courtiers, is allowed
to pass in silence. Louis XVI. appears; as usual, he moves without
dignity, simple, in spite of his Cross of St. Louis and his _cordon
bleu_. Marie Antoinette moves with her accustomed majesty, but her
face wears an anxious look.
Public-domain text, read in full here on John Shaqi.
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