The Girls' Book of Famous QueensFarmer, Lydia Hoyt
History
The Girls' Book of Famous Queens
Farmer, Lydia Hoyt
Queens -- Biography -- Juvenile literature
Next to the almost angelic sublimity of the
figure of the queen, the most touching thing in the picture is the face
of a young girl, who gazes, with a look of ineffable pity, through her
tears, at the queen as she walks by.”
Truly writes Sainte-Beuve. “I do not believe,” he says, “that a
monument of more atrocious stupidity, of greater ignominy for our
species, can exist, than this trial of Marie Antoinette. When one
reflects that a century which considered itself enlightened and of the
most refined civilization, ends with public acts of such barbarity, one
begins to doubt of human nature itself, and to fear that the brute,
which is always in human nature, has the ascendency.”
All Paris was under arms on this morning of the 16th of October. The
roll of the drum was heard through all the sections; thirty thousand
troops lined the streets along which lay the route of the queen’s
passage. The bridges were guarded with cannon, by which stood the
gunners with lighted matches. Artillery was placed also upon the
squares and points of junction. At ten o’clock no carriage was allowed
in any of the streets that lie between the Conciergerie and the Place
de la Revolution. All Paris was patrolled, and all this martial pomp,
which sounds as though the army of the enemy were at the very gates of
Paris, had been brought out to see a woman die!
Before the Conciergerie, before those beautiful iron gates on which the
royal arms of France and the golden lilies are conspicuous, the crowd
was thickest; every window had its groups of spectators, every housetop
had its crowd of people.
There stands the wretched open cart, with its single horse, its plank
the only seat. There is a stir among the crowd, and the queen ascends
the prison steps. On seeing the cart, she makes an involuntary pause.
It is but an instant. Then, with proud step and undaunted mien, Marie
Antoinette advances. A moment more, and she is sealed in the cart.
Sanson takes his place behind her.
Both he and his assistant have their three-cornered hats under their
arms. “On that occasion the only people who behaved with decency were
the executioners.”
Slowly the cart winds its way through the Rue Saint-Honoré. The rabble
yell, shout, and mouth at her, while for the last time falls on her ear
that hateful cry, “_À bas l’Autrichienne! à bas l’Autrichienne!_”
Yet as much a queen is she,—this silent white-robed figure, so
simple, yet so grand in its forlornness,—as when in her gilded coach,
surrounded by a brilliant body-guard of cavalry, she swept through the
Avenue des Champs Élysées, to the echoing shouts of “_Vive la reine!_”
“You all know the Place de la Concorde,
’Tis hard by the Tuileries’ wall.
’Mid terraces, fountains, and statues,
There rises an obelisk tall.”
Public-domain text, read in full here on John Shaqi.
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