The Girls' Book of Famous QueensFarmer, Lydia Hoyt
History
The Girls' Book of Famous Queens
Farmer, Lydia Hoyt
Queens -- Biography -- Juvenile literature
The act of accusation was then read, and the witnesses appeared. Of
these there were forty-one,—men of all sorts and conditions of life,
and who were ready to swear anything, however improbable, however
atrocious, against the queen. All through the long hours of that awful
day the different witnesses were questioned and cross-questioned. She
saw again faces familiar to her in past years, faces that must have
recalled Versailles and the Trianon; and with what feelings of horror
must she have recognized Simon, her son’s jailer and persecutor, among
that crowd of witnesses! When the charges relative to the queen’s
treatment of her son were again alluded to, the queen deigned no reply.
Seeing this, one of the jurors called the attention of the president
to her silence. One can imagine what a hush must at that moment have
fallen on that great crowd, eager to hear what the queen would answer
to such an infamy. But Marie Antoinette was equal, aye, more than
equal, to the occasion. She rose proudly from her chair, and in a
majestic voice exclaimed: “If I have not answered, it is because nature
herself refuses to answer such an accusation made to a mother. I appeal
to all that may be present.”
“A thrill ran through that vast hall—a thrill that has not ceased to
be felt by all who can enter into what the feelings of that mother
were at such a moment. No wonder that when Robespierre heard what a
sensation had been made by the sublime manner in which the queen had
met that charge, and the effect it had upon the audience, he, being
then at dinner, should have broken his plate with rage, and cursed the
folly of Fouquier-Tinville in preferring it.” At last all was over, and
the queen was asked if she had anything to say. “I was a queen, and
you took away my crown; a wife, and you killed my husband; a mother,
and you deprived me of my children. My blood alone remains. Take it,
but do not make me suffer long.” Then in the dignity of silence, and
without the moving of a muscle, she listened to the sentence condemning
her to die. It was ten minutes past four in the morning of the 16th of
October. The queen had, with hardly an interval, endured this trial
more than twenty hours. “Rising from her seat, she walked away calmly
and serenely, leaving her judges, or rather murderers, without one
look of reproach or shade of anger. But on nearing the portion of the
hall where, beyond the barriers, the mob was collected, she raised
somewhat her noble head. A great French painter has left a picture
of this scene. The queen faces the spectator, as she walks along the
side of the barriers, above which the crowd are eagerly scanning her;
behind follow the _gens d’armes_ with shouldered muskets; beyond,
under the dim light of a lamp, appear the faces of the judges, a lurid
background. Delaroche has introduced the thin, handsome face of a youth
who seems to feel the iniquity of the transaction keenly: we recognize
the features of Bonaparte.
Public-domain text, read in full here on John Shaqi.
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