The Girls of Central High Aiding the Red Cross: Or, Amateur Theatricals for a Worthy Cause — John Shaqi
The Girls of Central High Aiding the Red Cross: Or, Amateur Theatricals for a Worthy CauseMorrison, Gertrude W.
General
The Girls of Central High Aiding the Red Cross: Or, Amateur Theatricals for a Worthy Cause
Morrison, Gertrude W.
High school students -- Juvenile fiction; Red Cross and Red Crescent -- Juvenile fiction
Two days passed, and then came the first rehearsal. This, of course, could
be little more than a reading of the parts before Mr. Mann, with the latter
to advise them as to elocution and stage business. But Bobby declared she
had been practicing walking like a boy and had succeeded in copying Short
and Long almost exactly.
"Why me?" demanded Billy sharply, whose usual sweet temper seemed to have
become dreadfully soured of late.
"Well, why not?" demanded Bobby. "Should I copy Pretty Sweet's strut?"
"Aw--him!" snorted Billy Long, turning away in vexation.
"Now, tell me," said the quick-minded Bobby Hargrew to Laura and Jess, with
whom she chanced to be walking at the moment, "why it is that Billy has
taken such a violent dislike to poor Purt of late? Why, he doesn't feel
kindly enough toward him to send him another dead fish!"
They were going to the rehearsal, which was in the small hall of the
school. Of course, there was a sight of bustle and talking. Every girl was
greatly excited over her part. Some were "sure they couldn't do it," while
there were those who "could not possibly remember cues."
"And I know I shall laugh just at the wrong place," said Lily Pendleton. "I
always do."
"If you do," growled Bobby, "I'll do something to you that will make you
feel far from laughing, I assure you."
"How savagely you talk!" sighed Nellie Agnew. "That boy's part you are to
fill is already affecting you, Clara."
"'Sailor Bob' is going to be terrifically rough, I suppose," Jess said,
laughing.
Mr. Mann called them to order, and the girls finally rustled into seats and
prepared to go through "The Rose Garden" for the first time. Everybody knew
her first speeches, and as Mr. Mann accentuated the cues and advised about
the business the girls did very well during the first act.
But with the opening of the second act there was a halt. Here was where
"the dark lady" should come in. Her first appearance marked a flourishing
period by Jess, who strode about the stage as the hero of the piece.
"And Margit's not here!" cried Dora Lockwood. "Shouldn't she be, Mr. Mann?
Really, her entrance gives me my cue, not Adrian's speech."
Adrian was Jess Morse. She nodded her head vigorously. "Of course, Margit
ought to be here to rehearse with us."
"I am afraid," said Mr. Mann, with pursed lips, "that we shall have to give
up the idea of having Miss Carrington--the younger--for the part."
"Oh, oh, oh!" chorused some of the girls. "Can't Margit play?"
"Isn't that just like Gee Gee?" demanded Bobby furiously.
"She wanted to, I am sure," Laura said. "It is not Margit's fault."
"Of course it isn't," snapped Jess. "That old--"
Fortunately she got no farther. The door opened at that instant and Miss
Grace Gee Carrington entered. She was a very tall woman with grayish hair,
eyeglasses, and a sallow complexion. Her dignity of carriage and stern
manner were quite overpowering.
Public-domain text, read in full here on John Shaqi.
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