On the evening of the 12th of July I reached Chamouni; the weather was not quite clear, but it was promising; white cumuli had floated round Mont Blanc during the day, but these diminished more and more, and the light of the setting sun was of that lingering rosy hue which bodes good weather. Two parallel beams of a purple tinge were drawn by the shadows of the adjacent peaks, straight across the Glacier des Bossons, and the Glacier des Pelerins was also steeped for a time in the same purple light. Once when the surrounding red illumination was strong, the shadows of the Grands Mulets falling upon the adjacent snow appeared of a vivid green. This green belonged to the class of _subjective_ colours, or colours produced by contrast, about which a volume might be written. The eye received the impression of green, but the colour was not external to the eye. Place a red wafer on white paper, and look at it intently, it will be surrounded in a little time by a green fringe: move the wafer bodily away, and the entire space which it occupied upon the paper will appear green. A body may have its proper colour entirely masked in this way. Let a red wafer be attached to a piece of red glass, and from a moderately illuminated position let the sky be regarded through the glass; the wafer will appear of a vivid green. If a strong beam of light be sent through a red glass and caused to fall upon a screen, which at the same time is moderately illuminated by a separate source of white light, an opaque body placed in the path of the beam will cast a green shadow upon the screen which may be seen by several hundred persons at once. If a blue glass be used, the shadow will be yellow, which is the complementary colour to blue. [Sidenote: COLOURED SHADOWS. 1857.] When we suddenly pass from open sunlight to a moderately illuminated room, it appears dark at first, but after a little time the eye regains the power of seeing objects distinctly. Thus one effect of light upon the eye is to render it less sensitive, and light of any particular colour falling upon the eye blunts its appreciation of that colour. Let us apply this to the shadow upon the screen. This shadow is moderately illuminated by a jet of white light; but the space surrounding it is red, the effect of which upon the eye is to blind it in some degree to the perception of red. Hence, when the feeble white light of the shadow reaches the eye, the red component of this light is, as it were, abstracted from it, and the eye sees the residual colour, which is green. A similar explanation applies to the shadows of the Grands Mulets.