The Glebe 1914/04 (Vol. 2, No. 1): Collects — John Shaqi
The Glebe 1914/04 (Vol. 2, No. 1): CollectsTraubel, Horace
General
The Glebe 1914/04 (Vol. 2, No. 1): Collects
Traubel, Horace
American essays -- 20th century; Literature, Modern -- 20th century -- Periodicals
But not the you you get into your
books. My words belong where my heart is. I am not willing to feel one
thing and write another. Let me be the servant of my emotions. Down
below all my words is all my life. Rooted in the soil. Established in
the unalterable laws. Dedicated to the supreme inferences. If my words
dont say that they lie about me. I am the fact the words are supposed to
report. If they dont express me I go unrepresented. I dont try to be
anything. I just let myself be whatever results. It would be as bad for
me to force myself to be something as for me to force myself not to be
something. There are so many artists and there is so little art. There
are so many writers and there is so little writing. There is so much
painting and there are so few pictures. We are overclothed. Our wardrobe
is rich. We are jeweled. We are placed on thrones. But what are we
anyhow? We are humbug kings. We are fraud citizens. What we are not we
are. What we are we are not. The same thing which makes some men look
for social prestige makes an author look for literary prestige. We give
up the same things for it. We lie and duck and play sycophant for it. We
fool people. We make black white and white black. We trifle away serious
things. And we are serious over trifles. All for what? In order to
appear to be what we are not. We are masqueraders. Words are the tools
of our burglary. Words are the cant of our religion. Words are the
sophistry of our law. Words are the fog we lose our way in. We'd be safe
if it wasn't for words. Words are our peril. Words are the obstacles in
the way. If you want to be understood dont talk. Whatever you have to
say, dont trust it to words. Try not to try. Cut loose. Throw the reins
on their necks. I see many books. And yet there is only one book. I see
the broad highway and the countless journeyers. Where are they all
going? The girl looks at herself in the glass. She wants to be pretty. A
little paint and powder is added here and there. A few words are added
here and there. It's all the same thing. You bribe, steal, seduce. You
make use of words not for the purpose of being true but for the purpose
of being beautiful. Show: that's what you want. Distinction: that's what
you want. To be considered clever. To be a best seller. To go into many
editions. To be invited to lecture in colleges. To be asked to write for
the magazines. To be in demand. That's what you use words for. So as to
be listed in the literary four hundred. So as to be set apart somehow.
You want to be extraordinary. It has got so the writer stands above and
condescends. He don't stand below and look up. He regards the people as
pawns. He'll use them in the game. But he won't concede their equality.
He plans for so much a year. He figures at receptions. The colleges give
him titles. He dont want to be average. He wants to be exceptional. So
he tries to write. He gives his writing little pulls and twists so as to
adjust it to the market.
Public-domain text, read in full here on John Shaqi.
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