In spite of the exultation that he felt (or deluded himself into
feeling) at the triple wickedness wherewith he purposed to burden his
soul, Quixtus dined with Mrs. Fontaine in a subdued frame of mind. It
was not the fault of the dinner, for it was carefully selected by Mrs.
Fontaine, who smiled pityingly at Quixtus’s gastronomic ignorance; nor
was it that of the place, a cosy little restaurant in the Passage
Jouffroy; nor that of the lady, who appeared bent on pleasing. Deep down
in his soul were stirrings of pity which his clouded brain could not
interpret. Their effect, however, was a mild melancholy. Mrs. Fontaine’s
trained senses quickly noticed it, and she tuned her talk in key. She
prided herself on being a sympathetic woman. By this time she had
learned to discount his pessimistic utterances which she knew proceeded
from the same psychological source as the lunatic desire to break a
woman’s heart which had been the inspiration of the plot. She discerned
the essential gentleness of the man, his tender impulses, his integral
innocence, and established him in her own eyes as a pathetic spectacle.
As to the heart-breaking, she felt secure. It was the only element of
humour in the ghastly game, which day by day had grown more repulsive.
It was in this chastened mood that she met Huckaby, on their return to
the Continental. Quixtus went up to his room by the lift, and left them
standing in the lounge.
“I can’t do it,” she said hurriedly. “Billiter and the whole lot of you
can go to the devil. I’m out of it. With a man who can take care of
himself, yes. I’ve no compunction. It’s a fair fight. But this is too
low down. It’s like robbing a blind beggar. It revolts me.
Understand—this is the end of it.”
“Will you believe me,” said Huckaby, “when I say that it’s more than I
can swallow either? I’m honest. I’m out of it too. Billiter can go to
the devil.”
She looked at him, as she had done before that day; long and
searchingly, and her hard eyes gradually softened.
“Yes, I believe you.”
Huckaby bowed. “I thank you, Mrs. Fontaine. And as we are on this
painful subject, I should like to be frank with you. You know how this
thing started. I began it in the first place as a joke, a wild jest, to
humour him in his madness. The idea of Quixtus breaking a woman’s heart
is comic. But—God knows how—it developed into our—our association.
The important part now is this—if you think you have been fooling him
to the top of his bent, you’re mistaken. When it came to the point of
beginning his heart-breaking career, he shied at it. Told me the whole
thing was profoundly distasteful and I must never mention the matter
again.”
“Well?” asked Mrs. Fontaine, “what does that mean?”
“It means,” said Huckaby, “that you’ve succeeded in making him fond of
your society, for its own sake.”
She drew a deep breath. “Thank goodness, this nightmare of a farce is
over.”
“Now, I suppose you’ll go back to London,” said Huckaby.
Public-domain text, read in full here on John Shaqi.
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