The Glory of English Prose: Letters to My GrandsonColeridge, Stephen
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The Glory of English Prose: Letters to My Grandson
Coleridge, Stephen
Coleridge, Stephen, 1854-1936; English language -- Great Britain -- Style; English prose literature -- History and criticism
In St. Paul's Cathedral there lies a recumbent effigy of General Gordon,
who gave his life for the honour of England at Khartoum, and upon it
are engraven these words:--
"He gave his strength to the weak, his substance to the poor, his
sympathy to the suffering, his heart to God."
Even the concentrated terseness of Latin cannot surpass these
examples of the power of the simplest and shortest English sentences
to penetrate to the heart.
English can be used, by those who master it as an organ of expression,
to convey deep emotion under perfect control, than which nothing is
more moving, nothing better calculated to refine the mind, nothing
more certain to elevate the character.
Whenever a man has something fine to communicate to his fellow-men
he has but to use English without affectation, honestly and simply, and
he is in possession of the most splendid vehicle of human thought in
the world.
All the truly great writers of English speak with simplicity from
their hearts, they all evince a spirit of unaffected reverence, they
all teach us to look up and not down, and by the nobility of their
works which have penetrated into every home where letters are
cultivated, they have done an incalculable service in forming and
sustaining the high character of our race.
Clever flippant writers may do a trifling service here and there by
ridiculing the pompous and deflating the prigs, but there is no
permanence in such work, unless--which is seldom the case--it is totally
devoid of personal vanity.
Very little such service is rendered when it emanates from a writer who
announces himself as equal if not superior to Shakespeare, and
embellishes his lucubrations with parodies of the creeds.
"A Gentleman with a Duster," has in his "Glass of Fashion" shown us
that the Society depicted in the books of Colonel Repington and Mrs.
Asquith is not the true and great Society that sustains England in its
noble station among civilised peoples, and we may be sure that neither
do these books in the faintest degree represent the true and living
literature of the times. They will pass away and be forgotten as utterly
as are the fashion plates and missing-word competitions of ten years
ago.
Therefore, Antony, be sure that the famous and living literature of
England, that has survived all the shocks of time and changes of
modern life, is the best and properest study for a man to fit him for
life, to refine his taste, to aggravate his wisdom, and consolidate
his character.
Your loving old
G.P.
[Footnote 1: King's Own Yorkshire Light Infantry.]
2
MY DEAR ANTONY,
I alluded, in my first letter to you about English literature, to the
necessity of your learning from the beginning the wide distinction
between what is good and what is bad style.
Public-domain text, read in full here on John Shaqi.
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