The Glory of English Prose: Letters to My GrandsonColeridge, Stephen
History
The Glory of English Prose: Letters to My Grandson
Coleridge, Stephen
Coleridge, Stephen, 1854-1936; English language -- Great Britain -- Style; English prose literature -- History and criticism
"For indeed a change was coming upon the world, the meaning and
direction of which even is still hidden from us--a change from era
to era. The paths trodden by the footsteps of ages were broken up;
old things were passing away, and the faith and life of ten
centuries were dissolving like a dream. Chivalry was dying; the
abbey and the castle were soon together to crumble into ruins; and
all the forms, desires, beliefs, convictions of the old world were
passing away, never to return. A new continent had risen up beyond
the western sea. The floor of heaven, inlaid with stars, had sunk
back into an infinite abyss of immeasurable space; and the firm
earth itself, unfixed from its foundations, was seen to be but a
small atom in the awful vastness of the Universe.
"In the fabric of habit which they had so laboriously built for
themselves, mankind was to remain no longer. And now it is all
gone--like an unsubstantial pageant, faded; and between us and the
old English there lies a gulf of mystery which the prose of the
historian will never adequately bridge. They cannot come to us,
and our imagination can but feebly penetrate to them. Only among
the aisles of the cathedrals, only as we gaze upon their silent
figures sleeping on their tombs, some faint conceptions float
before us of what these men were when they were alive; and perhaps
in the sound of church bells, that peculiar creation of mediæval
age, which falls upon the ear like the echo of a vanished world."
The sound of church bells, being entirely the creation of man, forms
perhaps a more touching link with the past for us than the eternal
sounds of nature. Yet the everlasting wash of the waves of the sea
forms a bond between us and the unplumbed depths of time, as they
"Begin and cease, and then again begin
With tremulous cadence slow, and bring,
The eternal note of sadness in.
Sophocles long ago
Heard it on the Ægean, and it brought
Into his mind the turbid ebb and flow
Of human misery."
So wrote Matthew Arnold. Then there is the sound of wind in the trees,
and the voice of falling waters and rippling streams which must have
fallen upon the ears of our remotest fore-runners as they do upon our
own. These eternal sounds about us take no note of our brief coming
and going, and will be the same when you and I, Antony, and all the
millions that come after us in the world have returned to dust.
Your loving old
G.P.
30
MY DEAR ANTONY,
Though I do not myself rank Matthew Arnold among the great prose
writers of England, yet, like all true poets--and he indeed was one of
them,--he wrote excellent English prose.
Public-domain text, read in full here on John Shaqi.
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