The Glory of English Prose: Letters to My GrandsonColeridge, Stephen
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The Glory of English Prose: Letters to My Grandson
Coleridge, Stephen
Coleridge, Stephen, 1854-1936; English language -- Great Britain -- Style; English prose literature -- History and criticism
It is true that he turned to poetry to express his finest emotions and
thoughts, and he himself alludes to his prose writings thus: "I am a
mere solitary wanderer in search of the light, and I talk an artless,
unstudied, everyday familiar language. But, after all, this is the
language of the mass of the world."
The chief note of all his teaching was urbanity. "The pursuit of
perfection," he said, "is the pursuit of sweetness and light." "Culture
hates hatred: culture has one great passion--the passion for sweetness
and light."
This teaching, no doubt, leads to fields of pleasantness and charm,
and not at all to the high places of self-sacrifice, or the austere
peaks of martyrdom. Burning indignation against intolerable things,
fierce denunciation of the cruelties and abominations of the world
find no encouragement or sympathy from this serene, detached, and
therefore somewhat ineffectual, teaching.
Sweetness and light would never have interfered with the slave trade,
or fiercely fought beside Plimsoll for the load-line on the sides of
ships.
We did not fight the Germans under the doctrine of sweetness and
light.
It was a beautiful and edifying adornment for the drawing-room in
times of Victorian self-satisfied peace, but was a tinsel armour for the
battle of life, and entirely futile as a sword for combating wrong.
I am not sure that Matthew Arnold would not have called those who
wrathfully slash about them at abominable evils, Philistines.
After all, the great men of action and the great writers of the world
have been capable of harbouring great enthusiasms and deep
indignations in their hearts; and these emotions do not emerge from a
"passion for sweetness and light."
A better doctrine, Antony, is, I think, to try to push things along
cheerfully but strenuously in the right direction wherever and whenever
you can.
As a writer I think Matthew Arnold's best passage is to be found in the
Preface to his _Essays in Criticism_:--
"Oxford. Beautiful city! So venerable, so lovely, so unravaged by
the fierce intellectual life of our century, so serene!
"There are our young barbarians, all at play!
Public-domain text, read in full here on John Shaqi.
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