The glory of the PharaohsWeigall, Arthur E. P. Brome (Arthur Edward Pearse Brome)
History
The glory of the Pharaohs
Weigall, Arthur E. P. Brome (Arthur Edward Pearse Brome)
Egypt -- Antiquities
The Egyptologist to whom Egypt is not a living reality is handicapped in
his labours more unfairly than is realised by him. Avoid Egypt, and
though your brains be of vast capacity, though your eyes be never raised
from your books, you will yet remain in many ways an ignoramus, liable
to be corrected by the merest tourist in the Nile valley. But come with
me to a Theban garden that I know, where, on some still evening, the
dark palms are reflected in the placid Nile, and the acacias are
mellowed by the last light of the sunset; where, in leafy bowers, the
grapes cluster overhead, and the fig-tree is burdened with fruit. Beyond
the broad sheet of the river rise those unchanging hills which encompass
the Valley of the Tombs of the Kings; and at their foot, dimly seen in
the evening haze, sit the twin colossi, as they have sat since the days
of Amenophis the Magnificent. The stars begin to be seen through the
leaves now that the daylight dies, and presently the Milky Way becomes
apparent, stretching across the vault of the night, as when it was
believed to be the Nile of the Heavens.
The owls hoot to one another through the garden; and at the edge of the
alabaster tank wherein the dusk is mirrored, a frog croaks unseen amidst
the lilies. Even so croaked he on this very ground in those days when,
typifying eternity, he seemed to utter the endless refrain, “I am the
resurrection, I am the resurrection,” into the ears of men and maidens
beneath these self-same stars.
And now a boat floats past, on its way to Karnak, silhouetted against
the last-left light of the sky. There is music and song on board. The
sound of the pipes is carried over the water and pulses to the ears,
inflaming the imagination with the sorcery of its cadences and stirring
the blood by its bold rhythm. The gentle breeze brings the scent of many
flowers to the nostrils, and with these come drifting thoughts and
undefined fancies, so that presently the busy considerations of the day
are lulled and forgotten. The twilight seems to cloak the extent of the
years, and in the gathering darkness the procession of the centuries is
hidden. Yesterday and to-day are mingled together, and there is nothing
to distinguish to the eye the one age from the other. An immortal,
brought suddenly to the garden at this hour, could not say from direct
observation whether he had descended from the clouds into the twentieth
century before or the twentieth century after Christ; and the sound of
the festal pipes in the passing boat would but serve to confuse him the
more.
Public-domain text, read in full here on John Shaqi.
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