The Glory That Was Greece: a survey of Hellenic culture and civilisationStobart, J. C. (John Clarke)
History
The Glory That Was Greece: a survey of Hellenic culture and civilisation
Stobart, J. C. (John Clarke)
Art, Greek; Greece -- Civilization -- To 146 B.C.
Close by upon a low hill stands a Doric temple of the fifth century in
almost perfect preservation. This is commonly called the Theseum, but it
is undoubtedly the temple of Hephæstus mentioned by Pausanias.[66] The
temple is of Pentelic marble, surrounded on all sides by columns, with
six at each end. It is of a slightly earlier date than the Parthenon,
and it has very little of the subtle system of optical corrections
employed there. It was not a very important building in ancient Athens;
in fact, it is scarcely mentioned in antiquity; but as the
best-preserved building in all Greece it is of great architectural
interest to us. The metopes were not all carved; the rest were probably
painted. There is also a sculptured frieze. The subject of the metopes
was the Labours of Heracles and Theseus. They are rather badly
weathered, and in their present condition not very attractive. Not far
away is the Dipylon Gate, with its ancient burial-ground, of which we
shall see more in a later section. At the opposite end of the city the
visitor in the fifth century B.C. would have been struck by the immense
columns of the temple of Olympian Zeus begun by Peisistratus, but never
finished. Close under the Acropolis rock was the Theatre of Dionysus,
where the tragedies and comedies were performed, and a music hall, or
Odeion, erected by Pericles. There was a Cave of Pan on the precipitous
slope of the rock. The public meetings of the Athenian Assembly were
held on the hill of Pnyx, to the west of the Acropolis. Here there was a
sort of open-air theatre. We can still see the platform where Pericles
addressed the people, and the seats for the presiding committee behind
it.
So entirely does Athens focus upon herself the culture of the fifth
century, we are apt to forget that Athens was not Greece. The Temple of
Zeus at Olympia was the most celebrated temple in all Greece, but
chiefly for the wealth of the dedications there and the number of
athletic statues. Delphi too was enriched with countless artistic
offerings sent, in spite of the Pythian’s faint-hearted counsels, from
the spoil of the war. There was a famous tripod with a stand of twisted
serpents, on whose coils were inscribed the names of those cities which
had taken part in the battle of Platæa. A forlorn remnant of it still
exists at Constantinople. Both Olympia and Delphi have been recently
excavated, the former by the Germans and the latter by the French. But
neither site has quite realised expectations. The greatest finds at
Olympia
[Illustration: PLATE L. THE “THESEUM,” ATHENS
_English Photo Co., Athens_]
Public-domain text, read in full here on John Shaqi.
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