The Glory That Was Greece: a survey of Hellenic culture and civilisationStobart, J. C. (John Clarke)
History
The Glory That Was Greece: a survey of Hellenic culture and civilisation
Stobart, J. C. (John Clarke)
Art, Greek; Greece -- Civilization -- To 146 B.C.
This is a rudimentary style of drama which seeks to
portray little genre scenes of life with no attempt at a plot. Herondas
of Cos was the principal master of this art.
Two pupils of Theocritus were Bion and Moschus, both accomplished
elegiac poets. Bion’s dirge for Daphnis and Moschus’ lament for Bion
have provided the type for Vergil’s lament for Daphnis, for Milton’s
“Lycidas,” for Shelley’s “Adonais,” and Matthew Arnold’s “Thyrsis.”
ATHENS AND HER PHILOSOPHERS
In Alexandria, then, the Hellenic genius was as fruitful as ever. But it
was growing under glass there, and it was not pure Occidental culture.
We have to think of the Greek Ptolemies, descended from Macedonian
generals, as on the one hand writing Greek poetry and inviting Greek
scholars to criticise it, but on the other hand accepting homage and
[Illustration: Plate 86.--Relief from Pergamum.
W. Titzenthaler, Photo. Berlin, W.]
adulation as Eastern potentates, and actually marrying their sisters
after the customary manner of Pharaohs. In Egypt Father Zeus took over
the horns of Amen-Ra and became Zeus Ammon. Aphrodite, the foam-born
goddess, assumed her Oriental nature once more and was mated with young
Adonis in weird and lascivious Eastern ritual. Adonis was no Grecian
youth, but a mystic personification of the spring, and his worshippers
tore their hair and made lamentation for him with the same frenzy as
made the priests of Carmel cut themselves with knives in honour of Baal.
All over Asia Minor Hellenism had to mingle with Asiatic elements,
losing in the contact all its fine austerity and sweet reasonableness.
Hence was born the worship of Cybele, an Oriental Great Mother, with
horrid mysteries performed by priestly eunuchs. Even the sculpture with
which the wealthy Attalids adorned their great altar of Zeus at
Pergamum, though Greek in plot and execution, is of almost Asiatic
luxuriance and voluptuous beauty.[111] Passion and effort replace calm
and dignity even as they do in the new Asiatic schools of oratory.
Alexander’s violent battering at the gates which separate East from West
had produced a strange hybrid in many of the cities of Eastern Greece.
Public-domain text, read in full here on John Shaqi.
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