51 THE “AGIAS” OF LYSIPPUS 170 From a photograph by the English Photo Co., Athens. A marble statue recently discovered at Delphi. It can be identified as a contemporary replica of a bronze by Lysippus, and is our only certain evidence of his style. _See_ pp. 169 and 218 52 THE TEMPLE OF APOLLO AT PHIGALEIA [BASSÆ] 172 From a photograph by the English Photo Co., Athens. _See_ p. 169 53 PORTIONS OF THE PHIGALEIAN FRIEZE 174 From photographs by Mansell & Co. of the originals, now in the British Museum (Phigaleian Room). _See_ p. 170 54 THEATRE AT EPIDAURUS 176 From a photograph by the English Photo Co., Athens. The best extant example of a Greek theatre. In the centre is the circular _orchestra_, where the chorus danced and sang, and behind it are relics of the stage-buildings. In the centre of the orchestra was an altar of Dionysus. This theatre was built about the middle of the fourth century B.C. The auditorium would hold about 15,000 spectators. _See_ p. 175 55 MONUMENT OF LYSICRATES AT ATHENS 182 From a photograph by Rhomaides. _See_ p. 182. The whole monument would form a base for the prize tripod 56 RED-FIGURED VASE AND PYXIS 184 Collotype plate, from originals in the British Museum, Third Vase Room: Vase E 155; Pyxis D 11 (_see_ illustration, p. 45). The vase is a fine two-handled _kantharos_ of the late fifth century. The background is painted black and the figures left red. _See_ p. 191 The Pyxis (lady’s jewel-box) shows a marriage procession, drawn in colours on a light ground. The bride is being led to the family altar, preceded by a flute-player. _See_ p. 191 57 WHITE POLYCHROME VASES (LECYTHI) 186 Collotype plate, from originals in the British Museum, Third Vase Room, Vases D 54 and D 60 in Case F. Vessels, specially painted, to contain the oil used in funerals and buried in the tomb. The youth in the mourning robe is holding an oil-jar and gazing at the monument of his deceased friend. Compare Vase Plate, Fig. 4, and _see_ p. 191 58 ORPHEUS AND EURYDICE [TOMBSTONE RELIEF] 188 From a photograph by Alinari of the original at Rome. _See_ p. 192 59 THE MOURNING ATHENA 190 From a photograph by the English Photo Co. of the original in the Athens Museum. _See_ p. 193 60 TWO TOMBSTONE RELIEFS, FROM THE CERAMEIKOS, ATHENS 192 From photographs of originals in the Athens Museum. _See_ p. 193 61 APOLLO SAUROCTONOS (THE LIZARD-SLAYER) (FIG. 1) 194 Collotype plate, from a photograph by Anderson of the original in the Vatican. _See_ p. 217 THE CNIDIAN APHRODITE (FIG. 2)