The fore-part of this nymph is fashioned like a sort of boar's-snout
armed with six strong spikes, a multiple ploughshare, eminently
adapted for burrowing in the soil. A double row of hooks surmounts the
dorsal ring of the four front segments of the abdomen. These are so
many grappling-irons, with whose assistance the creature is enabled to
progress in the narrow gallery dug by the snout. Lastly, a sheaf of
sharp points forms the armour of the hinder-part. If we examine
attentively the surface of the vertical wall which contains the
various nests, it will not be long before we discover nymphs like
those which we have been describing, with one extremity held in a
gallery of their own diameter, while the fore-part projects freely
into the air. But these nymphs are reduced to their cast skins, along
the back and head of which runs a long slit through which the perfect
insect has escaped. The purpose of the nymph's powerful weapons is
thus made manifest: it is the nymph that has to rend the tough cocoon
which imprisons it, to excavate the tightly-packed soil in which it is
buried, to dig a gallery with its six-pointed snout and thus to bring
to the light the perfect insect, which apparently is incapable of
performing these strenuous tasks for itself.
And in fact these nymphs, taken in their cocoons, have in a few days'
time given me a feeble Fly (_Anthrax sinuata_) who is quite incapable
of piercing the cocoon and still more of making her exit through a
soil which I cannot easily break up with my pick. Although similar
facts abound in insect history, we always notice them with a lively
interest. They tell us of an incomprehensible power which suddenly, at
a given moment, irresistibly commands an obscure grub to abandon the
retreat in which it enjoys security, in order to make its way through
a thousand difficulties and to reach the light, which would be fatal
to it on any other occasion, but which is necessary to the perfect
insect, which could not reach it by its own efforts.
Public-domain text, read in full here on John Shaqi.
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