Fantasy fiction; Oz (Imaginary place) -- Juvenile fiction
“It’s a play!” murmured Peter, as Oompah placed himself hastily at the
head of the band and all the Tunesters stood waiting with toes stiffly
pointed. When Oompah raised his baton, the band burst into a lively
march and the whole population began dancing in every direction. Some
of the women and girls danced toward the markets, singing out their
orders in rhyme, others began sweeping the pavements, carrying on long
conversations in song as they swept. Everybody was doing something and
doing it to music. It really was quite gay and, fluttering his plumes
importantly, the oztrich began strutting along in perfect time to the
music. Grumpy watching the Queen, who was just ahead, slid and shuffled
along skilfully. As for Scraps, she simply outdid herself. Peter, from
his vantage point on the oztrich’s back, watched the whole performance
with great interest, feeling exactly as if he were in a circus parade.
The inhabitants of Tune Town seemed all to live in flats and the walls
of their dwellings were covered with lines, notes and scales, while
all the streets were marked with musical signs. The trees, instead of
leaves, bore musical notes and when the wind swept through them played
silvery tunes that mixed not unpleasantly with the music of the band.
Song birds fluttered in the branches and, quite forgetting the law
against speaking, Peter called out to Grumpy to look at them.
“If you have a word to say,
Sing it out in rhyme;
Do you wish to spoil our play
And throw us out of time?”
warbled the Queen, waving a drum stick at Peter. Peter grew very red
and while he was trying to think up a rhymed reply the music started
again and Scraps, capering up to Jazzma, chanted gaily:
“You really are a funny nation,
And must we sing our conversation?”
The Queen, taking three steps to the right and four to the left, nodded
vigorously and, looking admiringly at the Patchwork Girl, sang:
“Maiden stay, you are so gay,
I’d like to look at you all day.
My maid in waiting you shall be
And live in rag time harmonee!”
Peter waited anxiously for Scraps to answer. Tune Town was so jolly,
he was almost afraid Scraps would forget their important mission.
But Scraps, for all her giddiness, was deeply attached to Ozma and
extremely worried about the plans of Ruggedo for her downfall. So
kicking up her heels, she sang out saucily:
“And that your Majesty would mean
To dance attendance on a Queen;
A maid of waiting, not for me,
I’m the Patchwork Girl,
But I won’t work, wheee!”
[Illustration]
Public-domain text, read in full here on John Shaqi.
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