Fantasy fiction; Oz (Imaginary place) -- Juvenile fiction
sang Scraps, nearly choking the oztrich in her excitement. “Hurry,
Ozzy, hurry! Hurry!”
“Don’t forget to whum when you come to the Emerald City,” grumbled
Grumpy, as the great green bird gathered itself together for another
burst of speed.
“The Emerald City may be destroyed for all we know,” wheezed Ozwold
gloomily. “But hold tight, everybody. Here we go!”
[Illustration]
[Illustration]
CHAPTER 15 Wumbo, Wonder Worker, At Home
The Gillikin Country of Oz has always been a favorite retreat for
witches, wizards and sorcerers. Since the practice of magic has been
forbidden for everyone except Glinda, the Good Sorceress of the South,
and the Wizard of Oz, a great many of the lesser wizards and magic
workers have retired to the mountains of the north to practice in
secret or study for their own satisfaction the ancient art of wizardry.
In a crystal cavern on the western slope of Zamagoochie lived Wumbo,
the Wonder Worker. In his youth, Wumbo had studied in the best schools
of sorcery and was not only an accomplished magician, but a lovable
and loyal citizen of Oz. Therefore, when Ozma passed a law against the
practice of magic, Wumbo withdrew to his favorite cave and quietly
and harmlessly continued his studies. Now, of all studies sorcery is
the most profitable. Being able to grant most of his own wishes, Wumbo
lived in the utmost comfort and contentment, his cavern being almost
as magnificent and luxurious as Ozma’s castle. From preference, Wumbo
lived by himself, but was seldom lonely, for when you can conjure up a
company of acrobats from a handful of pebbles, or an orchestra from a
few sticks and dried peas, you are always sure of entertainment. Long
after ordinary Oz folk were in their beds, Wumbo, in his crystal study,
would pore over his musty books of magic, trying out new spells and
charms for his own satisfaction and amusement.
He was especially fond of his book of Chants and Enchantments and, on
the evening I am writing of, sat beside his great crystal lamp, turning
over its leaves and humming cheerfully to himself.
“I think,” mused Wumbo at last, “I shall use the speech-giving chant,
to-night. It’s been a long time since I’ve talked with my furniture and
no doubt it has a lot to tell me!” Rubbing his hands gleefully, Wumbo
turned to page ninety-seven and, after reading the chant several times
to himself, walked over to his foot-stool and, touching it gently,
droned:
“Ooney, mooney, nooney nill,
Tell me foot-stool what you will.”
“I need re-covering,” creaked the foot-stool promptly. “And next time
you trip over me, I trust you will crack both shins.”
[Illustration]
“Ho! Ho!” roared the wizard, bending backward and forward with mirth,
“that’s nice of you. Anything else?” As the foot-stool made no further
remark, he walked to the mantel and touched the clock.
“Ooney, mooney, nooney nill,
Tell me, old clock, what you will.”
Public-domain text, read in full here on John Shaqi.
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