The God-Idea of the Ancients; Or, Sex in ReligionGamble, Eliza Burt
Religion
The God-Idea of the Ancients; Or, Sex in Religion
Gamble, Eliza Burt
Religion; Sex -- Religious aspects; Women and religion
On the Zodiac of Dendera, preserved in the National Library at Paris,
are two trees, the one representing the East, or India and China, the
other, the West, or Egypt. The former of these trees is putting forth
a pair of leaves and is topped by the emblems of Siva, emblems which
indicate the fructifying powers of Nature, whilst the Egyptian sacred
tree, which is surmounted by the ostrich plume, the emblem of truth,
is indicative of Light, Intelligence, or the life of the soul. In a
discourse delivered by Dr. Stukeley in 1760, attention was directed to
the grove of Abraham as "that famous oak grove of Beersheba, planted
by the illustrious prophet and first Druid--Abraham; and from whom
our celebrated British Druids came, who were of the same patriarchal
reformed religion, and brought the use of sacred groves to Britain."(17)
17) Barlow, Symbolism, p. 98.
The fact has been ascertained that in Arabia, in very ancient times,
there was a goddess named Azra who was worshipped under the form of a
tree called Samurch, and that in Yemen tree-worship still prevails.
To the date is ascribed divine honors. This tree is said to have its
regular priests, services, rites, and festivals, and is as zealously
worshipped as are the gods of any other country. We are not informed as
to whether the Jewish Tree of Life was borrowed from the Chaldeans or
the Egyptians, but, as the significance is the same in all countries,
it is of little consequence which furnished a copy for the writer in
Genesis.
In Dr. Inman's Ancient Faiths, is a drawing from the original, by
Colonel Coombs, of the "Temptation," or of the ancient tree-and-serpent
myth in Genesis. This drawing, in which it is observed that the Jewish
idea of woman as tempter is reversed, was copied from the inner walls
of a cave in Southern India. The picture is said to be a faithful
representation of the version of the story as accepted in the East.
Of the myrtle, Payne Knight says that it "was a symbol both of Venus and
Neptune, the male and female personifications of the productive powers
of the waters, which appear to have been occasionally employed in the
same sense as the fig and fig leaf."
The same writer refers to the fact that instead of beads, wreaths of
foliage, generally of laurel, olive, myrtle, ivy, or oak, appear upon
coins; sometimes encircling the symbolical figures, and sometimes as
chaplets on their heads. According to Strabo, each of these is sacred to
some particular personification of the Deity, and "significant of some
particular attribute, and in general, all evergreens were Dionysiac
plants, that is, symbols of the generative power, signifying perpetuity
of youth and vigor." The crowns of laurel, olive, etc., with which
the victors in the Roman triumphs and Grecian games were honored, were
emblems of immortality, and not merely transitory marks of occasional
distinction.(18)
Public-domain text, read in full here on John Shaqi.
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