Notwithstanding the efforts which during numberless ages were made to dethrone the female principle in the god-idea, the Great Mother, under some one of her various appellations, continued, down to a late period in the history of the human race, to claim the homage and adoration of a large portion of the inhabitants of the globe. And so difficult was it, even after the male element had declared itself supreme, to conceive of a creative force independently of the female principle, that oftentimes, during the earlier ages of their attempted separation, great confusion and obscurity are observed in determining the positions of male deities. Zeus who in later times came to be worshipped as male was formerly represented as "the great dyke, the terrible virgin who breathes out on crime, anger, and death." Grote refers to numerous writers as authority for the statement that Dionysos, who usually appears in Greece as masculine, and who was doubtless the Jehovah of the Jews, was indigenous in Thrace, Phrygia, and Lydia as the Great Mother Cybele. He was identical with Bacchus, who although represented on various coins as a "bearded venerable figure" appears with the limbs, features, and character of a beautiful young woman. Sometimes this Deity is portrayed with sprouting horns, and again with a crown of ivy. The Phrygian Attis and the Syrian Adonis, as represented in monuments of ancient art, are androgynous personifications of the same attributes. According to the testimony of the geographer Dionysius, the worship of Bacchus was formerly carried on in the British Islands in exactly the same manner as it had been in an earlier age in Thrace and on the banks of the Ganges. In referring to the Idean Zeus in Crete, to Demeter at Eleusis, to the Cabairi in Samothrace, and Dionysos at Delphi and Thebes, Grote observes: "That they were all to a great degree analogous, is shown by the way in which they necessarily run together and become confused in the minds of various authors." Concerning Sadi, Sadim, or Shaddai, Higgins remarks: "Parkhurst tells us it means all-bountiful--the pourer forth of blessings; among the Heathen, the Dea Multimammia; in fact the Diana of Ephesus, the Urania of Persia, the Jove of Greece, called by Orpheus the Mother of the Gods, each male as well as female--the Venus Aphrodite; in short, the genial powers of Nature." To which Higgins adds: "And I maintain that it means the figure which is often found in collections of ancient statues, most beautifully executed, and called the Hermaphrodite." As in the old language there was no neuter gender, the gods must always appear either as female or male. For apparent reasons, in all the translations, through the pronouns and adjectives used, the more important ancient deities have all been made to appear as males.