There is no ancient divinity about which there seems to be connected so much mystery as the Assyrian Hea. When referring to the "great obscurity" which surrounds this God we are assured that there is at present "no means of determining the precise meaning of the cuneiform Hea, which is Babylonian rather than Assyrian," but that it is doubtless connected with the Arabic Hya, which is said to mean "life," or the female principle in creation. This Deity is the God of "glory" and of "giving," titles which during the earlier ages of human existence belonged to the Queen of Heaven, the Celestial Mother. The representation of the god Amun or Amun-ra, which superseded the triune Deity, Kneph, Sate, and Anouk at Thebes, and from which in Assyria doubtless proceeded the trinity, Amun, Bel-Nimrod, and Hea, is supposed to be identical with the Greek Zeus, which means the sun. This God is represented by a female figure seated on a throne. It is crowned with two long feathers, and in the right hand is observed the cross, the emblem of life. Manetho, the celebrated Egyptian historian, declares that the name of this God signifies "concealed." There can be little doubt that the titles of the ancient Deity--the Destroyer or Regenerator, or, in other words, those of the God of life which embraced the idea of the moving force throughout Nature, were, in course of time, appropriated by the rulers of the people. It is stated that the name of a certain Egyptian God appears first in connection with royalty, that "his name was substituted for some earlier divinity whose hieroglyphics were chiselled out of the monuments to make place for his." According to the testimony of Rawlinson, the God Hea is represented by the great serpent, which occupies a conspicuous position among the symbols of the gods on the black stones recording Babylonian benefactions. Now these flat black stones are themselves said to symbolize the female element in the Deity, in contradistinction to the obelisks, which prefigure the male, while the serpent, for reasons which have already been explained, appeared for ages in connection with the figure of a woman. In later inscriptions "king" is everywhere attached to the name of the God Hea, which fact shows that the titles ascribed to her were those particularly coveted by royalty. Hence we are not surprised to find that in an inscription of Sardanapalus, in the British Museum, there "occurs a remarkable phrase in which the king takes the titles of Hea."