"Not all my people were good. Some of them hated this great one, and
strove against Him. They were makers of trouble, and He sent them to
the southern continent, which is called Neen. Those among my people who
loved Him and served Him best, He made His friends. He taught them His
language, which is this that I speak, and which has been the holy
language of His priests since that day. He gave to these friends names
from his own country, and they were handed down from father to son, so
that I am now Artur, as my father was Artur, and his father before him,
for many generations."
"Just a second," I put in. "Artur? That is not--ah! Arthur! That is the
name: Arthur."
"Perhaps so," nodded the priest of this unknown Earth-child. "In many
generations, a name might slightly change. But I must hasten on with my
story, for outside my people become impatient.
"In the course of time, He passed away, an old man, with a beard that
was whiter than the hair of our new-born children. Here, our hair grows
dark with age, but His whitened like the metal of his ship that brought
Him here. But He left to us His voice, and so long as His voice spoke
to us on the anniversary of the day upon which He came out of the sky,
the Neens believed that His power still protected His people.
"But the Neens were only awaiting the time when His voice would no
longer sound in the Place. Each year their brown and savage
representatives came, upon the anniversary, to listen, and each time
they cowered and went back to their own kind with the word that He Who
Speaks, still spoke to His people.
"But the last anniversary, no sound came forth. His voice was silenced
at last; and the Neens went back rejoicing, to tell their people that
at last the god of the Libars had truly died, and that His voice
sounded no more in the Place."
* * * * *
A tense excitement gripped me; my hands trembled, and my voice, as I
spoke to Artur, shook with emotion.
"And this voice--it came from where, Artur?" I whispered.
"From here." Sorrowfully, reverently, he lifted, from a niche in the
wall, a small box of smooth, shining metal, and lifted the lid.
Curiously, I stared at the instruments revealed. In one end of the
horizontal panel was a small metal membrane, which I guessed was a
diaphragm. In the center of the remaining space was thrust up a heavy
pole of rusty metal. Supported by tiny brackets in such fashion that it
did not quite touch the pole of rusty metal, was a bright wire, which
disappeared through tiny holes in the panel, on either side. Each of
the brackets which supported the wire was tipped with a tiny roller,
which led me to believe that the wire was of greater length than was
revealed, and designed to be drawn over the upright piece of metal.
Public-domain text, read in full here on John Shaqi.
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