He handed me the fragment. The clear, characteristic writing was
certainly a woman’s. I felt that I should know it again if I saw it.
The words were as he had stated them. He went on.
“If the intention of the person who tore up this letter was to conceal
its purport, he did his work with very little skill. Here’s another
fragment which is plain enough. ‘To-night I will give you a last
chance.’ To-night! I wonder if that was yesternight? If so he had his
last chance--his very last. Here, on still another piece, is part of a
signature. ‘Bessie.’ It certainly is Bessie. I know a Bessie.” He
smiled, not too pleasantly. “I wonder if--it’s scarcely likely, though
I shouldn’t be surprised if this turns out to be the work of feminine
fingers. I seem to scent a woman in it somewhere.”
“It’s incredible!” I cried. “How could such violence have been used by
any woman?”
“How do you know that much violence has been used?--though there are
women who are capable of as much violence as men. But, in this case,
so far, there is nothing to show that much strength has been exerted.
It is a question of what instrument has been employed. Obviously it is
one of a most extraordinary and most deadly kind, and one which I
should imagine would be as likely to be found in a woman’s possession
as a man’s; indeed, I should say more likely, because I should expect
to find a man preferring to trust to his own right hand. Let me tell
you this, Ferguson. You are making a serious mistake in endeavouring
to associate Philip Lawrence with this matter. I know him well. He is
a man of high position and noble character; as incapable of such a
deed as you. Indeed, I know him well enough to be aware that he is
incapable; I have not sufficient knowledge of you to say, with
certainty, of what you may be capable.”
“Your language is quite unwarranted. I have made no endeavour of the
kind.”
“Are you perfectly candid? Are you sure that there is nothing at the
back of your mind? My position here is quasi-official. It is my duty
to ascertain how this man came to his death. Yet, while you refuse to
answer my inquiries, questioning my right to make them, you volunteer
some tittle-tattle about Philip Lawrence, and produce, with something
very like a flourish of triumph, a collar with his name on, which, you
say, you found upon the floor. I warn you again that, if you attempt
to drag in Philip Lawrence’s name, you will be guilty of a serious
injustice, the consequences of which will inevitably recoil on your
own head.”
Public-domain text, read in full here on John Shaqi.
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