The Gods and Mr. Perrin: A Tragi-ComedyWalpole, Hugh
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The Gods and Mr. Perrin: A Tragi-Comedy
Walpole, Hugh
Endowed public schools (Great Britain) -- Fiction; Teachers -- Fiction
The tall lamp had been so placed that its light fell on the peacock-blue
screen and the ormolu clock; it also fell on the enormous shoulders, in
black silk, of Miss Madder, on the thin, bony neck of Mrs. Dormer, and
on the deep red of Mrs. Comber's dress (open at one place at the back,
where it should have been closed, and cut, Mrs. Dormer considered, a
great deal lower than it need have been).
They were all waiting for Mr. Comber, and Mrs. Comber was trying to
explain to Traill why Freddie was always late, why people at Moffatt's
always liked meringues, and why with a magnificent “heart” hand she had,
only two nights ago, gone hearts with most disastrous results. “They
like them best with jam in them—you shall see to-night if they aren't
good; and there was really no reason at all why they shouldn't have come
off, but we had such bad luck, and I oughtn't to have played my King
when I did; I'm always telling him that he ought to go and dress a
little earlier—but he stays working.”
Poor Mrs. Comber! She was talking with her eyes all about the room, with
a sickening consciousness that something was wrong with her dress at the
back, with a sure and a certain knowledge that it would be related in
the common room the next morning that dinner was kept half an hour
too long, with a keen misgiving that Mrs. Dormer and Miss Madder had
quarreled furiously only the day before and that she had known nothing
about it. Every now and again she glanced at Isabel to gather comfort
from her, and Isabel's eyes were always ready to give it her.
Isabel was standing in a dark corner by the window, talking to Vincent
Perrin. Her dress was of dark brown silk, very simply cut, and falling
in one straight piece, save for a golden girdle that bound her waist.
She was standing with that perfect repose that came to her so naturally;
when she moved it was as though that was the only movement possible—her
limbs did not seem to hesitate, as do the limbs of so many people,
before they could decide on the way that they were going to act. Her
brown eyes were smiling at Vincent Perrin in a very friendly way,
and his heart was beating a great deal faster than it had ever beaten
before.
He had taken very especial pains with his dressing that night. He found
that there were only three shirts in his drawer and that the cuffs of
two of them were badly frayed, and that the stud-hole in the third was
so broken that it would need a very large stud indeed to fill it. He
found a kind of soup-plate at last, but was painfully conscious of its
brazen size and of a little brown smudge on the front of the shirt
near the collar. His suit—it had done duty for a great many years—was
painfully shiny in the back: he had never noticed it before; and there
was a small tear in one sleeve that he knew everyone would see. His
hair, in spite of water, was lanky and uneven; his mustache was raggeder
than ever; his coat fell over his cuffs and shot them into obscurity in
the most distressing manner.
Public-domain text, read in full here on John Shaqi.
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