The Gods and Mr. Perrin: A Tragi-ComedyWalpole, Hugh
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The Gods and Mr. Perrin: A Tragi-Comedy
Walpole, Hugh
Endowed public schools (Great Britain) -- Fiction; Teachers -- Fiction
He stopped again desperately.
“What can I do?” she said, still smiling at him. He looked so odd,
standing there in the dark, silent road... his hands restless. His eyes
had moved from her face and were gazing up the road.
“I would be so glad if—one day—so flattered if—you would—will—um—come
for a walk, one day.” He stopped with a jerk.
She moved through the gate and looked back at him before turning up the
path to the house.
“Why, of course, Mr. Perrin, I shall be delighted. Good night.”
He stood looking after her.
CHAPTER V—A GAME OF FOOTBALL AND A DANCE IN PENDRAGON HAVE THEIR PART IN
THE SCHEME OF THINGS I.
LATER there is Mr. Perrin heavily—with the midday mutton close about his
head—surveying, in his dingy and tattered sitting-room, four small boys
who gaze at him with staring eyes and jumping throats.
It is a piece of English poetry that has brought them, miserably, by the
ears—Browning's “Patriot,” one verse a week, to be said every Tuesday
morning first hour, and to be forgotten eagerly, completely forgotten,
every Tuesday morning second hour.
I go in the rain and, more than needs
The rope—the rope—the rope—
Johnson Minor gazed miserably at his companions and, finding no help in
man, but only a jesting glory at his misfortunes, dizzily, despairingly,
to the top row of Mr. Perrin's bookcase, where Advanced Algebra and
Mensuration hold perpetual war and rivalry.
It was a desperate affair altogether, because it was the afternoon of a
football match—a great football match against a mighty Truro team,—and
already the gathering multitude in the field below flung a derisive
murmur at the dusty panes.
But Mr. Perrin was motionless. He offered no assistance, he suggested
no remedy, he merely tapped with his bone paper-knife on the red
tablecloth—a tap that showed Johnson Minor once and for all that his
case was hopeless:
A rope—a rope that—
Johnson Minor, with hanging head and red eyes, passed out to write it,
the whole poem, fifty times before lock-up. He would miss the match.
Outside, in the passage, he suddenly remembered the whole verse clearly,
perfectly; but it was too late.
At last one prisoner only remained—Garden Minimus, a cheerful, untidy
person aged ten, in enormous boots and no kind of parting to his hair.
Garden Minimus was the boy whom Perrin liked best in the whole
school—had liked him best for the last two years. When things were
really black, when headaches were violent, and when unpopularity seemed
to hang about him in a dense, thick cloud, there was always Garden
Minimus. He flattered himself that the boy was not aware of this
partiality; but the boy, he was sure, liked him. He treated him always
with an elaborate irony that the boy seemed to understand in some
curious way. Garden would stand, with his head on one side like a rather
intelligent small dog, and although he rarely said anything more than
“Yes, sir,” or “No, sir,” Perrin felt that he grasped the situation.
Public-domain text, read in full here on John Shaqi.
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