France -- History -- Revolution, 1789-1799 -- Fiction; French fiction -- Translations into English; War stories
Louise Masche de Rochemaure, daughter of a Lieutenant of the King's
Hunt, widow of a Procureur and, for twenty years, the faithful mistress
of the financier Brotteaux des Ilettes, had fallen in with the new
ideas. She was to be seen, in July, 1790, digging the soil of the Champ
de Mars. Her strong inclination to side with the powers that be had
carried her readily enough along a political path that started with the
Feuillants and led by way of the Girondins to end on the summit of _the
Mountain_, while at the same time a spirit of compromise, a passion for
conversion and a certain aptitude for intrigue still attached her to the
aristocratic and anti-revolutionary party. She was to be met
everywhere,--at coffee houses and theatres, fashionable restaurants,
gaming-saloons, drawing-rooms, newspaper offices and ante-chambers of
Committees. The Revolution yielded her a hundred satisfactions,--novelty
and amusement, smiles and pleasures, business ventures and profitable
speculations. Combining political with amorous intrigue, playing the
harp, drawing landscapes, singing ballads, dancing Greek dances, giving
supper parties, entertaining pretty women, such as the Comtesse de
Beaufort and the actress Mademoiselle Descoings, presiding all night
long over a _trente-et-un_ or _biribi_ table and an adept at _rouge et
noir_, she still found time to be charitable to her friends. Inquisitive
and interfering, giddy-pated and frivolous, she understood men but knew
nothing of the masses; as indifferent to the creed she professed as to
the opinions she felt bound to repudiate, understanding nothing whatever
of all that was happening in the country, she was enterprising,
intrepid, and full of audacity from sheer ignorance of danger and an
unbounded confidence in the efficacy of her charms.
The soldier who escorted her was in the heyday of youth. A brazen helmet
decorated with a panther skin and the crest set off with a crimson
cock's-comb shaded his fresh young face and displayed a long and
terrific mane that swept his back. His red jacket was cut short and
square, barely reaching to the waist, the better to show off his elegant
figure. In his girdle he carried an enormous sabre, the hilt of which
was a glittering eagle's beak. A pair of flapped breeches of sky blue
moulded the fine muscles of his legs and was braided in rich arabesques
of a darker blue on the thighs. He might have been a dancer dressed for
some warlike and dashing role, in _Achilles at Scyros_ or _Alexander's
Wedding-feast_, in a costume designed by a pupil of David with the one
idea of accentuating every line of the shape.
Gamelin had a vague recollection of having seen him before. He was, in
fact, the same young soldier he had come upon a fortnight previously
haranguing the people from the arcades of the Theatre de la Nation.
The _citoyenne_ Rochemaure introduced him by name:
"The _citoyen_ Henry, Member of the Revolutionary Committee of the
Section of the Rights of Man."
Public-domain text, read in full here on John Shaqi.
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