France -- History -- Revolution, 1789-1799 -- Fiction; French fiction -- Translations into English; War stories
Great as a go-between, albeit she was still of an age for amours on her
own account, the _citoyenne_ Rochemaure had made it her mission to bring
together the legislator-journalist and the banker, and in her
extravagant imagination she already saw the man of the underworld, the
man whose hands were yet red with the blood of the September massacres,
a partner in the game of the financiers whose agent she was; she
pictured him drawn by his very warmth of feeling and unsophisticated
candour into the whirlpool of speculation, a recruit to the coterie she
loved of "corner" makers, contractors, foreign emissaries, gamblers, and
women of gallantry.
She insisted on the _citoyen_ Gamelin taking her to see the Friend of
the People, who lived quite near, in the Rue des Cordeliers, near the
church. After some little show of reluctance, the painter acceded to the
_citoyenne's_ wishes.
The dragoon Henry was invited to join them in the visit, but declined,
declaring he meant to keep his liberty of action, even towards the
_citoyen_ Marat, who, he felt no doubt, had rendered services to the
Republic, but was weakening nowadays; had he not, in his news sheet,
counselled resignation as the proper thing for the people of Paris?
And the young man, in a sweet voice, broken by long-drawn sighs,
deplored the fate of the Republic, betrayed by the men in whom she had
put her trust,--Danton rejecting the notion of a tax on the rich,
Robespierre opposing the permanence of the Sections, Marat, whose
pusillanimous counsels were paralyzing the enthusiasm of the citizens.
"Ah!" he cried, "how feeble such men appear beside Leclerc and Jacques
Roux!... Roux! Leclerc! _ye_ are the true friends of the people!"
Gamelin did not hear these remarks, which would have angered him; he had
gone into the next room to don his blue coat.
"You may well be proud of your son," observed the _citoyenne_
Rochemaure, addressing the _citoyenne_ Gamelin. "He is a great man;
talent and character both make him so."
In answer, the widow Gamelin gave a good account of her son, yet without
making much boast of him before a lady of high station, for she had been
taught in her childhood that the first duty of the lowly is humility
towards the great. She was of a complaining bent, having indeed only too
good cause and finding in such jeremiads a salve for her griefs. She was
garrulous in her revelations of all the hardships she had to bear to
any whom she supposed in a position to relieve them, and Madame de
Rochemaure seemed to belong to that class. She made the most, therefore,
of this favourable opportunity and told a long and breathless story of
their distresses,--how mother and son were both dying of slow
starvation. Pictures could not be sold any more; the Revolution had
killed business dead. Victuals were scarce and too dear for words....
Public-domain text, read in full here on John Shaqi.
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