France -- History -- Revolution, 1789-1799 -- Fiction; French fiction -- Translations into English; War stories
All the same Desmahis was in a pensive mood. For the moment he was
ardently in love with all the three women with whom he was playing
forfeits, and was casting burning looks of soft appeal at each in turn.
He loved Rose Thevenin for her grace, her supple figure, her clever
acting, her roving glances, and her voice that went straight to a man's
heart; he loved Elodie, because he recognized instinctively her rich
endowment of temperament and her kind, complaisant humour; he loved
Julienne Hasard, despite her colourless hair, her pale eyelashes, her
freckles and her thin bust, because, like Dunois in Voltaire's
_Pucelle_, he was always ready, in his generosity, to give the least
engaging a token of love--and the more so in this instance because she
appeared to be for the moment the most neglected, and therefore the most
amenable to his attentions. Without a trace of vanity, he was never sure
of these being agreeable; nor yet was he ever sure of their not being.
So he never omitted to offer them on the chance. Taking advantage of the
opportunities offered by the game of forfeits, he made some tender
speeches to Rose Thevenin, who showed no displeasure, but could hardly
say much in return under the jealous eyes of the _citoyen_ Jean Blaise.
He spoke more warmly still to the _citoyenne_ Elodie, whom he knew to be
pledged to Gamelin, but he was not so exacting as to want a heart all to
himself. Elodie could never care for him; but she thought him a handsome
fellow and did not altogether succeed in hiding the fact from him.
Finally, he whispered his most ardent vows in the ear of the _citoyenne_
Hasard, which she received with an air of bewildered stupefaction that
might equally express abject submission or chill indifference. And
Desmahis did not believe she was indifferent to him.
The inn contained only two bedrooms, both on the first floor and opening
on the same landing. That to the left, the better of the two, boasted a
flowered paper and a looking-glass the size of a man's hand, the gilt
frame of which had been blackened by generations of flies since the days
when Louis XIV was a child. In it, under sprigged muslin curtains, stood
two beds with down pillows, coverlets and counterpanes. This room was
reserved for the three _citoyennes_.
When the time came to retire, Desmahis and the _citoyenne_ Hasard, each
holding a bedroom candlestick, wished each other good-night on the
landing. The amorous engraver quickly passed a note to the colourman's
daughter, beseeching her to come to him, when everybody was asleep, in
the garret, which was over the _citoyennes'_ chamber.
Public-domain text, read in full here on John Shaqi.
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