Codex Borgia.—In the Codex Borgia (sheet 61, lower half) the lower portion of his face is painted red, but its upper part, as well as the rest of his body which is visible, is coloured yellow. On the cheek is seen a rectangular surface divided into compartments, each of which is tinted a different colour, the distinctive painting of the maize-gods, which, it is believed, symbolizes the maize-field with its many hues. A “gobber” tooth hangs from his mouth as a sign of great age, for as creator he was regarded as one of the most venerable among the gods. Around his forehead is a head-band enriched with precious stones, which recalls that frequently worn by the Sun-god. His necklet consists of a casket of jewels, with lid and feet, on which is represented the symbol of the chalchihuitl jewel. [169] On sheet 60 Tonacaciuatl, the female form of this deity, is depicted in the act of handing Tonacatecutli a flower, symbolic of life or blood. Above this figure is the picture of a red snake, also symbolizing blood. The god wears a jaguar-skin and the goddess an eagle’s, thus illustrating their patronage of the military orders who wore those dresses. (For similar readings, see Codex Laud, 34–5 K). In sheet 57 (lower right-hand corner) he is represented as wearing a beard of black eagle-feathers. Codex Vaticanus B.—In Codex Vaticanus B (sheet 87) Tonacatecutli is represented with Quetzalcoatl’s head and neck ornaments, combined with the jewelled fillet and bird’s head on forehead. He wears a long beard reaching to the feet. TONACACIUATL = “LADY OF OUR SUBSISTENCE” Minor Names: Omeciuatl = “Twofold Lady.” Citlalinicue = “Starry Skirt.” Calendar Place: Same as that of Tonacatecutli. Compass Direction: Same as that of Tonacatecutli. Symbol: Same as that of Tonacatecutli. ASPECT AND INSIGNIA General.—In Codex Fejérváry-Mayer (sheet 10) the drawn-in angle of the mouth and the female figure point to the inference that here is depicted Tonacaciuatl, who is identified by the interpreters with Xochiquetzal. In Codex Telleriano-Remensis and Codex Vaticanus A we find her standing in front of the male creative god Tonacatecutli. In the latter MS. the first interpreter calls her Tonagacigua, and the third Xochiquetzal, Oxomoco, and Chicomecohuatl. The picture shown under the nineteenth week of Codex Telleriano-Remensis pictures her with precisely the same dress and emblems as Xochiquetzal (q.v.). MYTHS