Aztec mythology; Indian mythology -- Mexico; Mexico -- Religion
This indicates that the goddess, one of the Ixcuiname, was regarded as
the inventress of that especial mode of sacrifice by which the victim
was tied to a framework and shot to death with arrows. We have no
classical statement that such a proceeding took place at her festival,
however, but it is known that it formed part of the ritual at the
festival of Xipe (q.v.). The expression, “We wish to couple the earth
with you,” when taken along with the straddling attitude of the victim
on his frame, has given rise to the assumption [178] that such a
sacrifice was intended to symbolize a sexual connection between the
victim and the earth or earth-mother. It appears to me as more probable
that its intention was to draw down rain by sympathetic magic, the
dropping blood from the arrow wounds symbolizing the rain, and the tear
which the victim sheds in the representation of this sacrifice in the
Codex Nuttall and Codex Telleriano-Remensis, combined with the fact
that such sacrifices are supposed to have been made in years of
drought, strengthens my belief in the soundness of this theory.
Ixcuine means “four-faced,” and may apply to the circumstance that
ancient idols of Tlazolteotl were, like those of Janus, provided with
more than one face, so that they might look upon every direction whence
the rain might come. Later, however, the Ixcuiname were regarded as a
fourfold manifestation of Tlazolteotl and as personifying four sisters
of different age, Tiacapan, Teicu, Tlaco and Xocoyotzin, who
“represented the carnal passions.” [179]
HYMN
A song in the Sahagun MS. relating to Tlazolteotl is as follows:
“The yellow blossom has flowered. She, our mother, with the
thigh-skin of the goddess painted upon her face, came out
of Tamoanchan. The white blossom has burst open, she our
mother,” etc. [180]
This of course symbolizes the yellow and white maize. The thigh-skin of
the goddess “is the mask cut from the thigh of the sacrificed girl and
worn by the priest” (see “Festivals,” infra). The statement that
Tlazolteotl came out of Tamoanchan is important, for another song in
the same series tells us that in that paradise was born her son
Cinteotl, the Maize-god (q.v.).
FESTIVALS
Public-domain text, read in full here on John Shaqi.
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