Codex Borgia.—Sheet 9: Here the goddess is represented as wearing an upper garment of diversified pattern, finished with a variegated edging. Her shawl is painted in the chalchihuitl colours, and from it depend two strings or ribbons of a dark shade, completed with a flower. Her nose-plate is blue and is formed rather after the fashion of the butterfly design, while her helmet-mask represents a quetzal-bird. In sheet 58 she is vis-à-vis with the Death-god and is garbed like an earth-deity with a many-coloured robe. Her hair is dressed like that of the Zapotec women, that is, two tresses are twisted up like horns and secured with parti-coloured bands. On the same sheet (next picture) she confronts one of her servitors or priests (tlamacazque), and her garments in this place are very similar to those already described. In the next illustration the only addition to her costume is a wreath of flowers, but under her arm she holds a quetzal-bird and sits opposite a red Tezcatlipocâ. On sheet 59 she is represented in the first place opposite the tlamacazque, and in the following picture confronts a naked prostitute. Between these figures is her servitor, surprised in the act of pressing the courtesan’s breasts. This female is characterized by her wearing of Xochiquetzal’s shawl, hair-dressing, and the hieroglyph of the warrior caste (shield and spears) shown above her head. In the lowest row of the same sheet the goddess is seen opposite the Vulture-god, Tlacacozcaquauhtli. In the following sheets of the codex her aspect and garb are practically similar to those described above, with the exception of sheet 60, where she appears in the act of parturition, with the double head and certain of the insignia of Quaxolotl, being delivered by Quetzalcoatl in the character of Xolotl. In the region of her mouth is an angular line of red.