Aztec mythology; Indian mythology -- Mexico; Mexico -- Religion
Before the sacrificial rites took place the captors of the victims
gathered together, and when the victims had been dispatched the
captors, or certain priests (it is not clear which), drew on the skins
of the flayed victims, and took up positions on hillocks of hay or
heaps of chalk or rubbish. Others approached them, and defied them to
combat by words and pinches. A skirmish ensued, and those who were
captured did not escape scot-free, being rather roughly handled. This
mock combat over, the real business of the day began in terrible
earnest. The wretched captive was secured by one ankle to the
temalacatl, or stone of combat, and wooden bâtons on which eagle-down
had been stuck, in imitation of a maquahuitl, or obsidian-edged sword,
were placed in his hands. Four warriors now came against the victim,
two of the ocelotl corps of knights and two of the quauhtli or Eagle
Corps, and having raised their shields and weapons to the sun, one of
them attacked the captive tied to the stone. If he defended himself
with address, two or even three of his opponents attacked him, and if
he still made good his resistance, all four fell upon him,
“intermingling their blows with dances and numerous poses.”
Prior to the combat a solemn procession was formed to the temalacatl. A
body of priests, dressed in the insignia of one or other of the gods in
whose honour the festival was held, issued from the yopico (“in Yopi
land”), the temple of Xipe, followed by the tecutlis, or knights,
already alluded to, who flourished their weapons and made a martial
show. Arrived at the temalacatl, they marched round it, and seated
themselves on carven stools called quecholicpalli (“perch of the strong
bird”). The priest who took charge of the proceedings was called
Youallauan (Night-drinker), one of the names of the god, and when all
were seated, an orchestra of trumpets, flutes, and conch-shells struck
up, mingled with whistling and singing. The performers wore on their
shoulders streamers of white feathers mounted on long staves, which, as
we have seen, was part of the Xipe dress, and sat between the priests
and the stone of combat.
Public-domain text, read in full here on John Shaqi.
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