In Mexican myth the earth is represented as a monster known as cipactli, the pictures of which have given rise to the assumption that it is either a crocodile, a swordfish, or a dragon. We shall probably not err if we place it in the last category and see in it that great earth-monster common to the mythologies of many races, and which is most conveniently called the “earth-dragon.” [14] This sign cipactli became the first in the tonalamatl or Book of Fate, where it is connected with the creative deities and the Earth-mother, who was known by many names. Circumstances exist which seem to lend colour to the assumption that, as in other countries, the Mexican Earth-mother had at one time been regarded as forming the earth, the soil. At the terrible and picturesque festival of the Xalaquia (“She who is clothed with the sand”), the sacrificed virgin was supposed to enrich and recruit with her blood the frame of the worn-out goddess, who had been, says Seler, “merged in the popular imagination with the all-nourisher, the all-begetter, the earth.” [15] Perhaps the best evidence that the idea of the Earth-mother was associated with the conception of the earth-dragon is afforded by the colossal stone figure of Coatlicue, one of her manifestations, which once towered above the entrance to the temple of Uitzilopochtli in Mexico and is now housed in the Museo Naçional in that city. In this figure, as in a similar if less massive statue from Tehuacan, the characteristics of the cipactli earth-animal obtrude themselves in a wealth of scale, claw, and tusk, which although frequently described as serpentine, is only partially so, and shows traces that more than one idea was in the mind of the artist who chiselled its symbolic intricacies. In the latter of these sculptures the appearance of ferocity is most marked and is accompanied by the same dragon-like claws on hands and feet. In the mythologies of many lands the Earth-mother is represented as ferocious, insatiable, as slaying those who take part in her amours, as a riotous and outrageous demon, unnatural and destructive in her lusts and appetites, and it would seem that her Mexican phase throws light upon the reasons for this savage wantonness. In the sculpture first alluded to, and in the carving on its base, we can perceive a close resemblance to the earth-monster of the Maya peoples, especially as represented in the carvings at Copan and in the Temple of the Cross at Palenque. These afford almost irrefragable proof of the correctness of the supposition regarding the fusion of the concepts of the earth-beast and the earth-mother which has been outlined. [16]