Political fiction; Short stories, American; United States -- Politics and government -- Fiction
When Malachi had read to the last line of the last column of the last
page of his newspaper, he did not fold it and lay it aside as he did
every other morning of the year. He turned to the first page and
studied the picture there. It was the daily cartoon, and the central
figure was intended for Malachi himself. That there could be no
question of identity, the prudent artist had labeled it “Bull Nolan.”
The figure was one that Malachi had seen in the newspapers in varying
situations for years, and the aldermanic paunch, with massive chain
and charm, the bullet head, with its stubble of hair and bell-crowned
hat, the checked and braided clothes, the broad-soled shoes and
checkered spats, the briskly radiating lines to symbolize his diamond,
were supposed to embody the popular conception of the alderman’s
personality. The inevitable cigar had fallen and lay fuming at his
feet, the eyes and mouth gaped in palpable fear, and with a fat hand
flashing other diamonds, this counterfeit presentment of Malachi Nolan
was trying to protect the First Ward--peeping on a ballot from his
waistcoat pocket--from a gentleman with high hat, side whiskers, gloves
and cane, who, labeled “Citizen,” obviously impersonated the better
element. The point of the cartoon was that the Municipal Reform League
had resolved that Malachi Nolan be retired from public life. The League
had had a banquet, and the speeches had breathed a zeal of reform such
as only champagne and truffles can inspire. The resolutions rang like
a declaration of independence; if the reform candidate, a gentleman
of prominent probity, were beaten in regular convention, they would
nominate him by petition.
Malachi studied the cartoon a long time, never changing expression,
and when he finished, he folded the paper carefully and laid it on
his desk, bestowed his spectacles in his waistcoat pocket, and then,
placing a hand on each knee, sat and stared with widening eyes straight
before him.
It was not a new experience to be thus caricatured. He had long
since acquired a politician’s stoicism and could affect a reassuring
indifference to attacks of the press; indeed, if a newspaper happened
to elude him and slip into Nora’s hands, he could even pretend to like
it. But this cartoon roused the fighting Irish in him.
Public-domain text, read in full here on John Shaqi.
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